As I was flying back from the Smashing Conference in New York, I wondered whether it was a success. This wasn’t an original thought. We are always wondering what makes a conference good and what elements will make industry workers stay away.
Good and bad are such subjective terms, though, with almost as many expectations as there are attendees. We decided that just looking at the numbers instead might be a good idea. This article will not present best practices for planning a conference, but rather will look at how it’s actually done most of the time. While this is not a guide to putting together the perfect conference, it gives a good overview of what seems to work and which elements are so unpredictable that they do not serve as reliable guidelines.
Having started his career studying under some of the best typographic minds in the world, Khajag Apelian not only is a talented type and graphic designer, unsurprisingly, but also counts Disney as a client, as well as a number of local and not-for-profit organizations throughout the Middle East.
Even more impressive is Khajag’s willingness to take on work that most people would find too challenging. Designing a quality typeface is a daunting task when it’s only in the Latin alphabet. Khajag goes deeper still, having designed a Latin-Armenian dual-script typeface in four weights, named "Arek", as well as an Arabic adaptation of Typotheque’s Fedra Display.
To be a Web professional is to be a lifelong learner. The ever-changing landscape of our industry requires us to continually update and expand our knowledge so that our skills do not become outdated. One of the ways we can continue learning is by attending professional Web conferences. But with so many seemingly excellent events to choose from, how do you decide which is right for you?
During the course of my career, I have had the good fortune to attend a number of conferences, workshops and professional events. I am often asked by Web professionals who are preparing to attend their first conference how they can select the right one for their needs.
Everyone loves a good, clean and simple icon set. Today, we're honored to present to you a set of 60 vector round icons which was cleverly designed by the creative trio at Roundicons and released exclusively for Smashing Magazine and its readers. Crafted with great attention to detail, this icon set is extremely easy to use and will most probably be the next ultimate resource for any one of your design projects.
This freebie contains 60 icons that can be used for free without any restrictions and serve various design purposes. You can use the icons in your commercial as well as your personal works. Feel free to modify the size, color or shape of the icons. No attribution is required. However, reselling of bundles or individual pictograms is not allowed.
The Web is awash in content. A recent Moz article reports that 92,000 new articles are posted online every day. Companies are spending billions on content marketing to enhance credibility, build brand awareness and, especially of late, improve SEO.
Google has always tried to reward great content with high rankings, but today, thanks to vast improvements in its algorithm, Google is better able to actually do it. Its content quality guidelines are perfectly aligned with what every writer and marketer should aspire to.
People don’t spend their money online easily. Think about it: If you had to answer a long list of questions or struggle to navigate a website, how much money would you be willing to part with? Online shopping is about convenience and comfort, and those of us who have at least once ventured into the realm of online shopping know how time-consuming and unpleasant it can be.
The online stores that stand out from the rest are those that go the extra mile for their users. We’ll look here at some small and big e-commerce websites that create pleasant online shopping experiences. We’ll consider the experience from the very start to the very end, right through to the checkout process.
Back in the days when he was a student, Portuguese graphic and type designer Natanael Gama started to play with glyphs — as a way to discover typography. Doodling around, he created Exo, a font which he released for free in a Kickstarter project. The project turned out to be quite successful. Exo became so popular that Natanael did a complete redesign.
It was two years ago. Today, Natanael is no longer a student and Exo has evolved into what we are happy to present to you today: Exo 2.0, an elegant, contemporary geometric sans serif typeface.