Category: Global Web Design

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Web Design Inspiration Showcases Global Web Design Typography

“I Draw Pictures All Day”

“So, you do nothing all day.” That’s how many people would respond to someone who says they spend the day with a pen or pencil in their hand. It’s often considered an empty practice, a waste of time. They’re seen as an empty mind puttering along with the busy work of scribbling.

I Draw Pictures All Day

But for us designers and artists, drawing pictures all day is integral to our process and to who we are as creative people, and despite the idea that those who doodle waste time, we still get our work done. So, then, why are those of us who draw pictures all day even tempted to think that someone who is doodling or drawing pictures in a meeting or lecture is not paying attention?

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Why Subtle Typographic Choices Make All The Difference

A strong understanding of how designers control meaning is essential for anyone interested in graphic design or typography. In a previous article, we discussed how sophisticated and complex visual and verbal language can get, examining instances that show how type can be used to effectively take control of meaning.

In this article, we’ll look at the reasons why subtle typographic changes can create considerable effect. We’ll refer to one or two linguistic and semiotic examples, as well as design case studies, to get to grips with why subtle changes can make all the difference.

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Smashing Daily #7: Wheels, Print And Bingo

Editor's Note: This post is the seventh in the new Smashing Daily series on Smashing Magazine, where we highlight items to help you stay on the top of what's going on in the Web industry. Vasilis van Gemert will carefully pick the most interesting discussions, tools, techniques and articles that have been published recently and present them in a nice compact overview.

Augmented Paper

Vasilis goes through dozens of RSS feeds and hundreds of tweets so that you don’t have to. Do you find the new series interesting? What would you like to have? And what wouldn’t you like to see? Let us know! We’d love to hear your feedback in the comments!

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Smashing Daily #1: Mobile Device Lab, Browsers and Animated GIFs

Editor's Note: This post is the first in the new Smashing Daily series on Smashing Magazine, where we highlight items to help you stay on the top of what's going on in the industry. Vasilis van Gemert will carefully pick the most interesting discussions, tools, techniques and articles that were published recently and present them in a nice compact overview. Smashing Daily #2 and Smashing Daily #3 are now published, too.

Smashing Daily #1: Mobile Device Lab, Browsers and Animated GIFs

Vasilis goes through dozens of RSS feeds and hundreds of tweets so that you don’t have to. Do you find the new series interesting? What would you like to have? And what wouldn’t you like to see? Let us know! We’d love to hear your feedback in the comments!

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When Typography Speaks Louder Than Words

Clever graphic designers love to use typography to explore the interaction between the look of type and what type actually says. In communicating a message, a balance has to be achieved between the visual and the verbal aspects of a design.

When Typography Speaks Louder Than Words

Sometimes, however, designers explore the visual aspect of type to a much greater extent than the verbal. In these cases, the visual language does all the talking. This article explores when the visual elements of typography speak louder than words.

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Weird And Wonderful, Yet Still Illegible

It has been said that "we read best what we read most". This quote was used as a type specimen in Emigre magazine in the late 1980's by Zuzana Licko. It was written in defense of her typefaces, whose elemental shapes—designed with the strictures of the early HP laser printer in mind—challenged the commonly held notions of what made typefaces legible.

Weird And Wonderful, Yet Still Illegible

The paradigm shift—wrought by the personal computer, Postscript and desktop publishing—should have had a massive impact on the shapes of our typographic characters, just as the advances of the World Wide Web further changed the way we viewed words (even though letterforms change at the pace of the most conservative reader). Thus, radical innovations like Kurt Schwitters' Systemschrift, (a phoenetic alphabet from 1927), are doomed to fail.

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Japanese, A Beautifully Complex Writing System

As a Japanese person living in Europe, I’m sometimes asked: “Japanese is a difficult language, isn’t it?”. Those asking are often surprised when my answer is a simple: “No, actually, it’s not.”.

Japanese, A Beautifully Complex Writing System

While it is true (at least to many Westerners) that Japanese is an exotic language, when compared to learning other European languages, it may seem harder because it has has no relation to their own language. But from my own experiences of learning English and German (and also from seeing some European friends learning Japanese), I can say with confidence that learning spoken Japanese is, in fact, not so difficult.

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