Category: Inspiration

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Inspiration Showcases Web Design Design Informer Typography

Smashing Daily: Brands, Business and UX

We have lots and lots of good stuff here for your weekend reading pleasure in today's Smashing Daily issue, like some thoughts about the first transatlantic communication cable, and some thoughts about brands (and whether you can actually care about them). We have a good article about expectations when doing business, and an idea to serve images that are acceptable to the retina. There's news about jQuery, a post about browser update policies, and much more.

You can also have a look at the Smashing Daily Archive to see what you've missed!

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A Closer Look At Font Rendering

The Web font revolution that started around two years ago has brought up a topic that many of us had merrily ignored for many years: font rendering. The newfound freedom Web fonts are giving us brings along new challenges.

A Closer Look At Font Rendering

Choosing and using a font is not merely a stylistic issue, and it's worth having a look at how the technology comes into play. While we cannot change which browser and OS our website visitors use, understanding why fonts look the way they do helps us make websites that are successful and comfortable to read in every scenario

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Weird And Wonderful, Yet Still Illegible

It has been said that "we read best what we read most". This quote was used as a type specimen in Emigre magazine in the late 1980's by Zuzana Licko. It was written in defense of her typefaces, whose elemental shapes—designed with the strictures of the early HP laser printer in mind—challenged the commonly held notions of what made typefaces legible.

Weird And Wonderful, Yet Still Illegible

The paradigm shift—wrought by the personal computer, Postscript and desktop publishing—should have had a massive impact on the shapes of our typographic characters, just as the advances of the World Wide Web further changed the way we viewed words (even though letterforms change at the pace of the most conservative reader). Thus, radical innovations like Kurt Schwitters' Systemschrift, (a phoenetic alphabet from 1927), are doomed to fail.

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Behind The Scenes Of Tourism New Zealand (Case Study)

In 2011 we saw the rise in popularity of two relatively new trends: responsive Web design and the use of HTML’s canvas. While some websites had experimented with both, in the last 12 months we’ve seen these trends move from the fringes firmly into the mainstream.

Behind The Scenes Of Tourism New Zealand

Responsive Web design is more a concept than a technology — an ideal that many new websites aspire to. Canvas, on the other hand, is an HTML5-based technology that opens the door to a new wave of interactivity.

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Japanese, A Beautifully Complex Writing System

As a Japanese person living in Europe, I’m sometimes asked: “Japanese is a difficult language, isn’t it?”. Those asking are often surprised when my answer is a simple: “No, actually, it’s not.”.

Japanese, A Beautifully Complex Writing System

While it is true (at least to many Westerners) that Japanese is an exotic language, when compared to learning other European languages, it may seem harder because it has has no relation to their own language. But from my own experiences of learning English and German (and also from seeing some European friends learning Japanese), I can say with confidence that learning spoken Japanese is, in fact, not so difficult.

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A Craft Of Consequences: Reader, Writer And Emotional Design

Before the very first page of a book has been read, you've already analyzed it in countless ways without even noticing. The paper stock, the thickness of the binding, the aroma, the color of the type and even the texture of the cover; the very character of the book is being dissected by the hand and eye at every moment.

A Craft Of Consequences: Reader, Writer And Emotional Design

In this brief second there is a dialogue between the reader and the object. This conversation is subtle and complex, but for most people it is entirely subconscious. This is because we rarely think about these things  —  we feel them instead.

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Designing for the Mind

Do you know what makes a design good? Is it merely an opinion, or is there something more to it? Breaking design down seems like such an abstract thing. Even the designers who are able to create thought-provoking work seem purely talented and have natural abilities that can’t really be nailed down to a process. But what if there were principles that captured why design and art worked the way that they do?

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