Category: Tutorials
New techniques, fascinating effects, print design issues, icon design, Programming, Best-of tutorials, Adobe frameworks and 3D Inspiration for your projects – the Smashing Tutorials section covers numerous technologies, programmes and techniques. See what we have to offer: Smashing Tutorials, Hand-Picked Photoshop Tutorials, 50 Excellent AJAY Tutorials
The most valuable part of a computer is also its most fragile: Data are the wealth of a digital lifestyle, a currency of which many notes are irreplaceable. At least, that’s how I felt staring at a “Confirm you want to wipe your hard disk” message, my finger poised over the mouse.

During an emergency is a bad time to plan for one. It’s the feeling one might get jumping from a plane before checking one’s parachute. That’s one experience I’d rather avoid, but it happened. Not the skydiving part. My OS was dying, and I wasn’t prepared.
People who make websites face a triple threat: Live websites need backups; test environments need backups, especially when they double as backups for live websites. Subversion and Git provide safety nets in case of data loss. But there are also support files: Photoshop files, fonts, reusable jQuery snippets — not to mention music collections, an essential part of many creative processes.
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Many of us care deeply about developing our craft. But staying up to date can be a true challenge, because the quantity of fresh information we’re regularly exposed to can be a lot to take in. 2012 has been no exception, with a wealth of evolution and refinement going on in the front end.

Great strides have been made in how we approach workflow, use abstractions, appreciate code quality and tackle the measurement and betterment of performance. If you’ve been busy and haven’t had time to catch up on the latest developments in these areas, don’t worry.
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The creative process is not a linear one. As artists and designers, we often set off in one direction only to decide that the proper solution lies somewhere else completely. Unfortunately, many of the creative software packages we use (Photoshop in particular) can be pretty unforgiving when in comes to making changes late in the game.

Sure, we’ve got “Undo” for a quick change of heart, but often we don’t realize we need to make an adjustment until several steps (or days) later. Luckily, Photoshop has some great features built in that allow us to work in ways that protect our precious pixels—truly freeing us to do our best work.
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Congratulations. You’ve just completed a pixel-perfect mock-up of an app, and you’ve gotten the nod from everyone on the team. All that’s left to do is save the tens, hundreds or maybe even thousands of production assets required to bring it to life.

It’s probably the least interesting part of designing software, usually entailing hours of grinding. Saving images to multiple scales — as required by iOS and other platforms — adds complication to the process. But there are ways to streamline or automate the exporting process.
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For drawing and painting digital illustrations, Adobe Illustrator is a favorite among designers for many reasons. One of the reasons is some of the amazing time-saving features that come with it. The Symbols feature in Illustrator does just this: it saves valuable time by creating a “symbol,” or copy, of an object. This means that all of the time you have spent creating a minutely detailed flower does not have to be repeated. Instead, simply save the flower as a symbol for future use. Plus, symbols greatly reduce the size of image files.

Illustrator makes it easy to use symbols multiple times within a document as well. With the Symbols tools, you can add and alter several symbols at once. And in CS5, you can now change the settings for a symbol while editing. Another benefit of symbols in Illustrator CS5 is that you can change a symbol to a movie clip, making it easy to export to Adobe Flash. You can also make sure that the symbol scales correctly for your interface design by choosing 9-Slice Scaling while still in Illustrator.
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Layer Styles are nothing new. They've been used and abused again and again. Despite their ubiquity, or perhaps because of it, many designers do not yet realize the full potential of this handy menu. Its beauty lies in our ability to create an effect and then copy, modify, export, hide or trash it, without degrading the content of the layer.

Below we present, step by step, several practical techniques to help you refine your designs, increase productivity and reduce layer clutter. You will find more useful Photoshop techniques and tutorials in our hand-picked selection, Best of Photoshop on Smashing Magazine.
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Adobe Illustrator is one very useful program for creating vector artwork. The tools and features available in Illustrator make it easy to create digital illustrations, whether from scratch or by tracing a photograph. But this is not all Illustrator can do. Businesses can create impressive graphs using Illustrator’s Graph tools. Marketers can use the impressive Type tool and other type features to design single-page ads.

Designers create logos and other marketing graphics that need to be scalable in Illustrator. In short, Illustrator is a comprehensive vector program that is difficult to master. The aim of this article is to provide one more resource for those of you yearning to learn more about Illustrator. We’ll look at one of the less-mentioned features: the Warp tools, also known as the Liquify tools.
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Two weeks ago we published the first part of Photoshop tips and tricks for photo retouching. Today, we'll be presenting the rest of the article. We hope that these techniques will be quite useful for your workflow. You may know some of them, but hopefully not all of them. We have had articles on various tools in Adobe Photoshop but this one is focused more on the techniques rather than the tools provided. Please note that all images used in this article were purchased and are used according to their licenses.

If you want to redefine the foreground and background colors, use the Eyedropper tool to select the foreground color, and then switch the position with the background color, maybe by using the shortcut X, and pick up the next color. But there is an easier way.
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Typography is not only an all-important aspect of design, it is also an art form in and of itself. Choosing the right font, the perfect spacing and even the correct shape of text can be an important factor as to whether a project fails or succeeds. Although Illustrator is not really used for multiple-paged projects, many would agree that it is one of the most powerful applications for creating vector graphics, such as logos, and it is also often used for one-page documents, such as business cards, posters, or postcards.

Since we can easily transfer graphics from Illustrator to Photoshop and InDesign, designers often use Illustrator to create vector type that they can then incorporate into projects in another program. For instance, you can create a nice type design within Illustrator, then add some extra effects in Photoshop. Or you may need to design a text illustration within Illustrator to place within your brochure project in InDesign.
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