Well, almost anything. We can’t guarantee space shuttle journeys or going back in time, but we will put on a truly intimate, valuable and memorable event. Taking place on October 20–21, SmashingConf Barcelona will be packed with smart solutions ranging from front-end to design to UX — and a few delightful surprises along the way. To the tickets.
We strongly believe that trends don't matter, but techniques do. With SmashingConf Barcelona, we keep exploring interesting problems, smart solutions and lessons learned from actual projects. We highlight what has worked and what has failed — and why — so you know what to do next time you encounter similar problems. That's what makes up the spirit of our conferences, and we take pride in it.
Animation, like any other facet of the web, mustbedesigned. As web developers, we think about the effects of typography, layout, interaction, and shifting viewports, but when incorporating animation we have another factor to consider: time.
It’s not just an extra aspect to consider, either: it increases the complexity of each of the aforementioned parameters exponentially. Rather than viewing this as a heavy mass of ideas, we can bake animation into the core of our user experience process to create dazzling, exciting, and engaging work that pushes boundaries and collectively elevates the medium of the web.
No designer creates wow work 100% of the time. There’s no question that creating good design takes significant exertion, but generating the wow factor in your work can also be fairly effortless. Many designers follow their intuition during the creative process and incorporate universal symbols and metaphors simply because it “feels right.” Intuition — accessible to all people and most especially useful to those engaged in creative pursuits — guides designers towards solutions that align with a universal knowing.
Adding a universal quality to a logo provides the broadest communicative reach, what almost all identities are intended to accomplish. The intellectual exercise of connecting the dots of “thinking” is not irrelevant in design, of course — particularly when it comes to branding — but by combining the intuitive immediacy of symbols and metaphors with strategic thinking, you integrate essential information that helps your logo stand out and be remembered.
Here we are, halfway through the aught 10s and 2015. And the year still has quite a few conferences in store for us. 2015 has some surprises left in it. What consequences will speakers draw from the Google I/O? What's coming in the IoT departments near you? With so much happening in the industry, conference organizershave done their best to keep you up to date. Take a look at some of the great conferences that will close this year's conference year.
Conferences are about gathering information and knowledge, but they're also opportunities to get to know other like-minded folks in the web design community. Keep in mind that there's always a benefit to attending any event, and a strong chance that you'll be exposed to a large amount of new information, so be prepared to absorb the latest techniques brought to you by distinguished authors and speakers.
We all aim to be as agile as possible in today’s fast-paced web design world, while also remaining thoughtful of the end user and those we work with. After Effects is a great tool that enables us to quickly visualize and test robust animation patterns throughout web design, share those with the development team and clients, and even test variants with users to get quick validation on a design before it goes into production.
Web design transitions and animations, like parallax scrolling, hidden navigation, swiping, pull to refresh, transformations or really any UI transition, are great to prototype in After Effects. In this article, we will be scratching the surface of how to fit After Effects into your UX Workflow, and we’ll share details, advice, experience and links that you could use as influence and thought starters in your next project.
Web-based interactive experiences are widely used in the modern age for a variety of reasons, predominantly for the advertising of premium high-street products and services. After discovering the little-known clip-path property of CSS, I embarked upon a five-month interactive production journey of my own with a different purpose: to raise awareness of the struggles of 30 similarly little-known endangered species.
We always try our best to challenge your artistic abilities and produce some interesting, beautiful and creative artwork, and as designers we usually turn to different sources of inspiration. As a matter of fact, we’ve discovered the best one—desktop wallpapers that are a little more distinctive than the usual crowd.
This creativity mission has been going on for seven years now, and we are very thankful to all designers who have contributed and are still diligently contributing each month. This post features free desktop wallpapers created by artists across the globe for June 2015. Both versions with a calendar and without a calendar can be downloaded for free. It’s time to freshen up your wallpaper!
Building and maintaining a WordPress plugin can be a daunting task. The bigger the codebase, the harder it is to keep track of all the working parts and their relationship to one another. And you can add to that the limitations imposed by working in an antiquated version of PHP, 5.2.
In this article we will explore an alternative way of developing WordPress plugins, using the lessons learned from the greater PHP community, the world outside WordPress. We will walk through the steps of creating a plugin and investigate the use of autoloading and a plugin container.
Having the ability to set legible body copy is an absolute must, and we’ve come a long way with web typography since the dawn of web design. However, I feel like we have allowed the lack of variety prior to the rise of web fonts to dampen our creativity now that thousands of web fonts are at our disposal. Have usability conventions and the web’s universality steered us away from proper art direction? Have we forgotten about art direction altogether? I believe so.
As designers, we can achieve much more with type, and with just a little more thought and creativity, we can finally start to take full advantage of the type systems available. Let’s look at ways we can push typographic design on the web further, beyond the status quo of today.
After almost 20 years of evolution, today's web typography, with its high-density displays and support for OpenType features, is just a step away from the typographic quality of the offline world. But there's still one field of graphic design where we still constantly fall back to bitmap replacements instead of using native text: display typography, the art of staging letters in illustrative, gorgeous, dramatic, playful, experimental or unexpected ways.
Sure, we're able choose from thousands of web fonts and use CSS effects for type, some with wide browser support (like drop-shadows and 3D transforms) and others that are more experimental (like background-clip and text-stroke), but that's basically it. If we want really outstanding display typography on our websites, we'll usually embed it as an image.