A lot of mobile-minded talented folks across the globe produce great work, but yet sometimes you still hear many of them complain about their relationships with their clients. They often mention feeling isolated and not truly understanding what the client really needed.
This lack of personal interaction often leads to misunderstanding, as well as less awareness of and appreciation for all your hard work. While involving clients in your mobile workflow can be challenging, really working together will make a big difference. In this article, I’ll share some important things I’ve learned about involving clients in my mobile workflow. Let’s dive into some tips and tricks that I use every day.
Having started his career studying under some of the best typographic minds in the world, Khajag Apelian not only is a talented type and graphic designer, unsurprisingly, but also counts Disney as a client, as well as a number of local and not-for-profit organizations throughout the Middle East.
Even more impressive is Khajag’s willingness to take on work that most people would find too challenging. Designing a quality typeface is a daunting task when it’s only in the Latin alphabet. Khajag goes deeper still, having designed a Latin-Armenian dual-script typeface in four weights, named "Arek", as well as an Arabic adaptation of Typotheque’s Fedra Display.
Crafted with great attention to detail, today's icon set is extremely easy to use and will most probably be the next ultimate resource for any of your design projects. This set of round icons was thoroughly designed by the creative team at Roundicons and has been released exclusively for Smashing Magazine and its readers.
This freebie contains 60 icons that have been designed in both round and flat styles, and can be used for free without any restrictions and serve various design purposes. Feel free to modify the size, color or shape of the icons, and use the icons in your commercial as well as your personal projects. No attribution is required, however, reselling of bundles or individual pictograms is not allowed.
We always try our best to challenge your artistic abilities and produce some interesting, beautiful and creative artwork. And as designers we usually turn to different sources of inspiration. As a matter of fact, we’ve discovered the best one—desktop wallpapers that are a little more distinctive than the usual crowd.
This creativity mission has been going on for six years now, and we're very thankful to all the designers who have contributed and are still diligently contributing each month. This post features free desktop wallpapers created by artists across the globe for April 2013. Both versions with a calendar and without a calendar can be downloaded for free. It’s time to freshen up your desktop wallpaper!
We’ve all been there, haven’t we? You find yourself in a coffee shop abroad, sipping cappuccino and chomping a muffin as you realize that your laptop’s battery charge is just about to crush your creative session to dust. Well, perhaps you’ve got your power adapter with you but, of course, it isn’t the right one for foreign power sockets.
So you end up looking around and chatting up with strangers asking for help. Some are more responsive than others, and before you know it, you don’t just have a full battery, but you've made a couple of new, surprisingly interesting acquaintances.
This article is part of a new series about design principles that can serve both as a refresher for seasoned designers and reference for newcomers to the industry. Hopefully, the content covered here isn't too obvious and self-explanatory, but it's always great to have a nice quick refresher every now and again, isn't it? — Ed.
In 1910, psychologist Max Wertheimer had an insight when he observed a series of lights flashing on and off at a railroad crossing. It was similar to how the lights encircling a movie theater marquee flash on and off.
To the observer, it appears as if a single light moves around the marquee, traveling from bulb to bulb, when in reality it's a series of bulbs turning on and off and the lights don't move it all. This observation led to a set of descriptive principles about how we visually perceive objects. These principles sit at the heart of nearly everything we do graphically as designers.