Everyone loves a good, clean and simple icon set. Today, we’re honored to present to you a set of flat icons that are simple, useful and optimal for apps, websites as well as print. Designed by Freepik, this icon set is completely free to use for commercial as well as your personal projects, including software, online services, templates and themes.
Please note that this set is licensed under Creative Commons. Feel free to modify the size, color or shape of the icons. No attribution is required, however, reselling of bundles or individual pictograms is prohibited. Please provide credits to the creators and link to the article in which this freebie was released if you would like to spread the word.
Choosing typefaces is an integral part of every web design project. With thousands of typefaces available from hosting services such as Typekit, as well an ever-improving collection of free fonts available, there has never been a better time to be a typography-obsessed web designer.
One could easily argue that nothing affects a design more than typography. And good typography starts with choosing an appropriate typeface. But can having too much choice be a bad thing? With more choices, we have more opportunities to make bad decisions.
Frank Lloyd Wright was a century ahead of his time. He was a pioneer, an avant-garde architect who broke free of the traditions of his era. His views on materials, form, function, space and environment define his iconic works. These ideals and principles are still used in architecture today, and his buildings have stood the test of time, remaining relevant even in today’s digital age.
I find a lot of inspiration in Wright’s timeless work. As designers, we’re frequently asked to create digital experiences (especially in software) that will have a lifespan of 5 to 10 years. This is an eternity in “digital” time, and it has made me ponder the future. What kind of devices will people be using in the next few decades? What interaction patterns will we be using in 25 years? 50 years?
This responsive and mobile-themed icon set, designed by the folks behind Iconshock and Designshock, consists of 100 individual icons merging outlined as well as flat styles, all vectors built in Photoshop, in four transparent PNG image sizes and available in two color versions: a limited cold palette and a warm colorful one. The vector editable source files are included.
Please note that this icon set is licensed under a Creative Commons Attribution 3.0 Unported. You may modify the size, color or shape of the icons. No attribution is required, however, reselling of bundles or individual pictograms is prohibited. Please always provide credits to the creators and link to the article in which this freebie was released if you would like to spread the word.
The list of charting libraries for the web is already quite long, and you might ask yourself why we would need to make it any longer. Whenever you need to develop an application’s dashboard, embed some usage statistics or simply visualize some data, you will find yourself looking for a charting library that fits your needs.
Chartist was developed for a very particular need: to create simple responsive charts. While other charting libraries do a great job of visualizing data, something is always missing to satisfy this simple yet demanding need.
What if you could create an entire back end for your mobile applications that was feature-complete in data synchronization, push-notification support, user management and file-handling before you even started building the mobile experience? What if it was architected in such a way that you could easily create new cross-platform native and web applications seamlessly on this back end?
While this might sound like a fairy tale, it is exactly what providers of mobile back end as a service (MBaaS) are aiming to give app developers. It is up to you to determine whether that is true for the experiences you are creating.
Every element on a web page exerts a visual force that attracts the eye of the viewer. The greater the force, the more the eye is attracted. These forces also appear to act on other elements, imparting a visual direction to their potential movement and suggesting where you should look next.
We refer to this force as visual weight and to the perceived direction of visual forces as visual direction. Both are important concepts to understand if you want to create hierarchy, flow, rhythm and balance in your composition.
SmashingConf isn't the eighth wonder of the world, but we are pretty close. Join us at SmashingConf Oxford on March 16–19 or meet us at the shores of Santa Monica for SmashingConf LA on April 27–30. You won't be disappointed.