Today is the day when it all started — the day when this little website launched back in 2006. Today, we celebrate our seventh anniversary, and you, dear readers, are the ones who have made it possible and kept us going.
A couple of months ago, I was on a night train on my way to one of those countless Web design conferences. Being offline with a ridiculous roaming rate is always a good excuse to get some work done, and the music streaming from my good ol’ headphones helped me to focus on the draft of the chapter I was reviewing for our upcoming book.
Water lilies are beautiful flowers and ideal tutorial material. To get to the final result you’ll do a lot of clever actions which mostly involve rotating and duplicating, and there is a lot of room for experimentation as well. For instance, you can try out different ways on how you build up the layers of petals, and play with different shades of pinkish gradients.
This tutorial gives you the basic steps I followed, but while I was creating this flower I did actually way more than what I’m writing here. You see, every creation is never straightforward or perfect just right away. It takes some trial and error, because I also needed to find the method that can be most easily explained.
The aim of republishing the original article by Jake is to raise awareness and support the discussion about the role of progressive enhancement within the community. We look forward to your opinions and thoughts in the comments section. – Ed.
Progressive enhancement has become a bit of a hot topic recently, most recently with Tom Dale conclusively showing it to be a futile act, but only by misrepresenting what progressive enhancement is and what its benefits are.
In the last several years, we’ve seen a rapid shift in software and app interface design, from 3-D and skeuomorphic to flat and minimal. Although this trend has become nearly ubiquitous, let’s take a moment to consider how we got here and what influence it’s having on interface design as a whole.
Additionally, I’ll share some tips and considerations on designing flat interfaces. So, how did the collective consciousness swing from a love of all things textured, beveled and drop-shadowed to a desire for flat colors and simple typography?
Of the many factors that must be considered in Web design, emotional interaction is an important, but frequently neglected, component. In the real world, we experience the sensual interaction of design all the time.
Reflect for a moment on the emotional engagement of slipping behind the wheel of a powerful luxury car: the welcoming embrace of the driving seat, the tactile experience of running your hands over the leather on the steering wheel, the subtle gleam reflected in the controls.
We always try our best to challenge your artistic abilities and produce some interesting, beautiful and creative artwork. And as designers we usually turn to different sources of inspiration. As a matter of fact, we’ve discovered the best one—desktop wallpapers that are a little more distinctive than the usual crowd.
This creativity mission has been going on for over five years now, and we are very thankful to all the designers who have contributed and are still diligently contributing each month. This post features free desktop wallpapers created by artists across the globe for August 2013. Both versions with a calendar and without a calendar can be downloaded for free. It’s time to freshen up your wallpaper!
The layout is the foundation of your website. It guides the user through the sections and tells them what is most important. It also sets the aesthetic of the website. Therefore, you need to carefully think through how you lay out content.
An original, creative layout goes a long way to improving the user experience of a website, although not letting your creativity get in the way of usability is important. As usual, we have to put ourselves in the users' shoes: What do we want them to see first? How will your message be best communicated? We have to ask these questions before we start designing, because the layout will shape the rest of the design.
I have spent nearly a decade experimenting with a single goal in mind: to create scalable, predictably insightful, inspirational environments. I have led creative teams in these environments, and I’m currently doing it as the Director of Web Interface and Development at Astonish (a digital marketing company in Rhode Island, US).
It hasn’t been easy, because forcing inspiration is impossible. You have to use finesse and let it come to you. What follows is what I’ve found to help my team and me harness inspiration effectively.
Every device attached to the Internet is identified by a numeric address known as an IP address. The two forms of IP addresses seen on the open Internet are IPv4, which is a 32-bit number often represented as a series of four decimal numbers separated by dots, e.g.
188.8.131.52, and IPv6 which is a 128-bit number represented as a series of multiple hexadecimal numbers separated by colons, e.g.