Posts Tagged ‘CSS’.
We are pleased to present below all posts tagged with ‘CSS’.
We are pleased to present below all posts tagged with ‘CSS’.
Since we started plodding around on this rock in space, human beings have always been dissatisfied with their environment — which is (mostly) a good thing. Otherwise we might still live in caves, fearful of the weather and worshipping the sun. It's dissatisfaction and curiosity which drive us to fix things that ain't broken.
Back in spring 2013, Smashing Magazine sported a
<select> menu as its mobile navigation. It wasn't considered an anti-pattern back then and I still think it's a viable solution to the complex problem of how to build accessible and functional cross-device navigation. Brad Frost wrote a few words about the pros and cons of this pattern on his blog and I couldn't agree more.
CSS floats and clears define web layout today. Based on principles derived from centuries of print design, they’ve worked well enough — even if, strictly speaking, floats weren’t meant for that purpose. Neither were tables, but that didn’t stop us in the 1990s.
Nevertheless, the future of web layout is bright, thanks to flexbox. The CSS layout mechanism lets us arrange elements in a truly web-like way. Some elements can be fixed, while others scroll. The order in which they appear can be independent of the source order. And everything can fit a range of screen sizes, from widescreen TVs to smartphones — and even devices as yet unimagined. Browser support is fantastic (except you-know-who). Yep, it’s a great time to jump into flexbox if you haven't done so yet.Read more...
The web is slow, yet there are a few simple strategies to make websites faster. One of them is inlining critical CSS into the
<head> of your pages, yet how exactly do you do it if your site contains hundreds of pages, or even worse, hundreds of different templates? You can't do it manually. Dean Hume explains an easy way to get it done. If you're a seasoned web developer, you might find the article obvious and self-explanatory, but it's a good piece to show to your clients and junior developers for sure. — Ed.
Often within a project, the presentation of our content changes based on certain needs. We see this when we use media queries to change our styles based on the user device. CSS quantity queries follow the same concept of changing the styles based on a condition: the condition within a quantity query being the number of sibling elements.
An example would be navigation where items are 25% wide when four items are available; yet when there are five items available, the width of the navigation items changes to 20%. This is a common problem with dynamic site frameworks like WordPress or Ghost. A client might not realize the complications that could arise, for example, by adding one more menu item when the CSS is not set up to fit it in.Read more...
When it comes to CSS techniques, nobody is more stubborn and smart enough to find solutions to any problems than Lea Verou. Recently, Lea has written, designed and published "CSS Secrets", a truly fantastic book on the little CSS tricks and techniques for solving everyday problems. If you thought that you know CSS fairly well, think again: you will be surprised. In this article, we publish a few nuggets from the book, which were also presented in Lea's recent talk at SmashingConf New York — on designing simple pie charts, with CSS. Please notice that some demos might not work as expected due to limited support in browsers. —Ed.
Here is your mission, should you choose to accept it: create a table of items. Each item should span a third of the content area, with the fourth item starting on a new row, much like floats. However, a particular item must always display the price at the end of the first row.
Managing consistent, typographic rhythm isn’t easy, but when the type is responsive, things get even more difficult. Fortunately, Sass maps make responsive typography much more manageable.
Writing the code is one thing, but keeping track of font-size values for each breakpoint is another — and the above is for paragraphs alone. Throw in
h6s, each with variable font sizes for each breakpoint, and it gets cumbersome, especially when the type doesn’t scale linearly.
Web-based interactive experiences are widely used in the modern age for a variety of reasons, predominantly for the advertising of premium high-street products and services. After discovering the little-known
clip-path property of CSS, I embarked upon a five-month interactive production journey of my own with a different purpose: to raise awareness of the struggles of 30 similarly little-known endangered species.
This article explores the inspiration for the project and aspects of how different parts were built, and I’ll dive into how you can use this greatly underrated line of CSS for your own projects.Read more...
After almost 20 years of evolution, today's web typography, with its high-density displays and support for OpenType features, is just a step away from the typographic quality of the offline world. But there's still one field of graphic design where we still constantly fall back to bitmap replacements instead of using native text: display typography, the art of staging letters in illustrative, gorgeous, dramatic, playful, experimental or unexpected ways.
Sure, we're able choose from thousands of web fonts and use CSS effects for type, some with wide browser support (like drop-shadows and 3D transforms) and others that are more experimental (like
text-stroke), but that's basically it. If we want really outstanding display typography on our websites, we'll usually embed it as an image.
clip-path property is your ticket to shape-shifting the monotonous, boxy layouts traditionally associated with flat, responsive design. You will begin to think outside the box, literally, and hexagons, stars and octagons will begin to take form on your web pages. Once you get your hands dirty with
clip-path, there’s no end to the shapes you can generate, simply by tweaking a few values.
While the focus of this article is on
clip-path using polygons with CSS, all of the demos provide a reference to an inline SVG, in order to gain additional support on Firefox. Generating a responsive SVG clipped shape is trivial once you have created a responsive shape with CSS’
clip-path. We’ll look at this in detail later.