Posts Tagged ‘Inspiration’

We are pleased to present below all posts tagged with ‘Inspiration’.

Career Advice For Graduating Web Design Students

It’s that time of year again: graduation, when students transition away from the classroom to what will hopefully be a long and successful career in their chosen industry. I recently said goodbye to some of my own website design and development students. Instead of teaching lessons in design principles or responsive websites, I spent our final evening together answering their questions. One of those questions was, “What is the best career advice you’ve ever received?

Career Advice For Graduating Web Design Students

At the time, I didn’t have an answer. I could think of many instances when someone helped me solve a particularly complex design challenge or a complex CSS issue or helped me navigate a delicate client situation, but I wouldn’t consider those “best career advice” moments. After thinking about it for a week or so, I came up with four pieces of advice that I received early in my career and that were invaluable to me as I was getting started in this industry but that are just as relevant and useful to me today.

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Upcoming Web Design Events (Jun. 2014 – Dec. 2014)

This year has brought a number of changes in the conference scene around the world. Quite a few established conferences have taken their last bow, and a whole bunch of new conferences have appeared — and I'm not just talking about the Smashing conferences! There's even a conference for developing applications of the not-yet-released Google Glass.

Upcoming Web Design Events (Jun. 2014 – Dec. 2014)

Many exciting conferences have already featured some of the industry's most illustrious speakers in the first half of 2014, however, there are quite a few more to come! Take a look at today's round-up of conferences taking place this year from June onwards, and remember, since most events are a bit light on the design aspect, it may be a good idea to visit those conferences that focus specifically on visual and artistic technologies.

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Hands On The Sigmund Freud Typeface: Making A Font For Your Shrink

Handwritten text shows a personal side of its author, a side that is not easy to put into words and that contrasts with the standardized look of digital communication. This contrast and “aura” is perhaps what makes handwriting fonts so popular. As a typographer, I love handwriting, and in this article I’d like to share a hands-on overview of my creation process of a handwriting font.

Hands On With The Sigmund Freud Typeface: Making A Font For Your Shrink

Over the past four years, I’ve completed three typefaces inspired by handwriting. I started with the digitization of Albert Einstein’s handwriting and continued with Conspired Lovers, a font based on my own love-letter writing. In 2013, I ran a Kickstarter campaign to fund the creation of a font based on Sigmund Freud’s handwriting. The public interest in the project was overwhelming, and the Sigmund Freud typeface became the first typeface to be reviewed in the Wall Street Journal.

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Part TwoDesign Principles: Space And The Figure-Ground Relationship

If you see graphic design as a process of arranging shapes on a canvas, then you’re only seeing half of what you work with. The negative space of the canvas is just as important as the positive elements that we place on the canvas.

Design Principles: Space And The Figure-Ground Relationship

Design is an arrangement of both shapes and space. To work more effectively with space, you must first become aware of it and learn to see it — learn to see the shapes that space forms and how space communicates. This is second part of a series on design principles for beginners. The first part covered an introduction to gestalt; the rest of the series (including this post) will build on those gestalt principles and show how many of the fundamental principles we work with as designers have their origin there.

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“Type Design Is Not Only About Drawing Letters”

Having started his career studying under some of the best typographic minds in the world, Khajag Apelian not only is a talented type and graphic designer, unsurprisingly, but also counts Disney as a client, as well as a number of local and not-for-profit organizations throughout the Middle East.

Type Design Is Not Only About Drawing Letters

Even more impressive is Khajag’s willingness to take on work that most people would find too challenging. Designing a quality typeface is a daunting task when it’s only in the Latin alphabet. Khajag goes deeper still, having designed a Latin-Armenian dual-script typeface in four weights, named "Arek", as well as an Arabic adaptation of Typotheque’s Fedra Display.

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Part OneDesign Principles: Visual Perception And The Principles Of Gestalt

This article is part of a new series about design principles that can serve both as a refresher for seasoned designers and reference for newcomers to the industry. Hopefully, the content covered here isn't too obvious and self-explanatory, but it's always great to have a nice quick refresher every now and again, isn't it? — Ed.

Design Principles: Visual Perception And The Principles Of Gestalt

In 1910, psychologist Max Wertheimer had an insight when he observed a series of lights flashing on and off at a railroad crossing. It was similar to how the lights encircling a movie theater marquee flash on and off.

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A Modern Designer’s Canvas

When I gave this talk a title, I called it “A Modern Designer’s Canvas,” because originally I was going to talk about the tools and processes that I use when I’m designing. But being a good designer or developer is about so much more than knowing how to use tools. It’s also about the way we approach what we do and our attitude towards it.

A Modern Designer’s Canvas

I’m going to talk about four lessons that can help us do what we do better. These have been important to me, especially over the last challenging few years, when how we make websites has changed so much. They’re lessons that I learned a long time ago, at art school:

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