Posts Tagged ‘Typography’

We are pleased to present below all posts tagged with ‘Typography’.

Applying Macrotypography For A More Readable Web Page

Any application of typography can be divided into two arenas: micro and macro. Understanding the difference between the two is especially useful when crafting a reading experience, because it allows the designer to know when to focus on legibility and when to focus on readability.

Applying Macrotypography For A More Readable Web Page

This article focuses mostly on a few simple macrotypographic techniques—with a dash of micro—and on how to combine them all to build a more harmonious, adaptable and, most importantly, readable Web page. First, some definitions. Microtypography has to do with the details; setting the right glyph, getting the appropriate kerning and tracking, and making stylistic choices such as when to use small-caps.

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A Closer Look At Font Rendering

The Web font revolution that started around two years ago has brought up a topic that many of us had merrily ignored for many years: font rendering. The newfound freedom Web fonts are giving us brings along new challenges.

A Closer Look At Font Rendering

Choosing and using a font is not merely a stylistic issue, and it's worth having a look at how the technology comes into play. While we cannot change which browser and OS our website visitors use, understanding why fonts look the way they do helps us make websites that are successful and comfortable to read in every scenario

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When Typography Speaks Louder Than Words

Clever graphic designers love to use typography to explore the interaction between the look of type and what type actually says. In communicating a message, a balance has to be achieved between the visual and the verbal aspects of a design.

When Typography Speaks Louder Than Words

Sometimes, however, designers explore the visual aspect of type to a much greater extent than the verbal. In these cases, the visual language does all the talking. This article explores when the visual elements of typography speak louder than words.

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Drop Caps: Historical Use And Current Best Practices With CSS

The practice of using a large letter to mark the start of a text has been around for almost two thousand years. Illustrated caps increased usability by marking important passages and guiding readers through the text. Unlike their historic counterparts, drop caps on the Web don’t add value in terms of usability or readability—and they are hard for Web developers to control, often rendering differently across browsers.

Early table of contents

Yet, front-end designers and clients often want to use drop caps as decorative elements. How should we implement them? Just as scribes, artisans, and early printers had a variety of methods for creating initial capitals, we Web designers have multiple methods to choose from. We can use an image of a letter, create a class to enlarge and place a letter, or use a first-child:first-letter to enlarge and place the first letter of the first paragraph. But which method should we use? Which method remains consistent across browsers? Which is most accessible?

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Weird And Wonderful, Yet Still Illegible

It has been said that "we read best what we read most". This quote was used as a type specimen in Emigre magazine in the late 1980's by Zuzana Licko. It was written in defense of her typefaces, whose elemental shapes—designed with the strictures of the early HP laser printer in mind—challenged the commonly held notions of what made typefaces legible.

Weird And Wonderful, Yet Still Illegible

The paradigm shift—wrought by the personal computer, Postscript and desktop publishing—should have had a massive impact on the shapes of our typographic characters, just as the advances of the World Wide Web further changed the way we viewed words (even though letterforms change at the pace of the most conservative reader). Thus, radical innovations like Kurt Schwitters' Systemschrift, (a phoenetic alphabet from 1927), are doomed to fail.

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Respect Thy Typography

Good typography shouldn’t have to rely on ornamental crutches to stand tall. Yet despite all the tools and knowledge available to us, we readily embrace a flourishing, decorative typography, with cheap tricks used in a misguided attempt to make it “pop”. This ancient art may rapidly be gaining popularity, but are we paying it the respect it deserves?

Respect Thy Typography

Take a snapshot of the visual culture that surrounds you—magazines, movie posters, packaging, websites—how much of it relies on typography? How much of the typography around you is actually well considered?

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Japanese, A Beautifully Complex Writing System

As a Japanese person living in Europe, I’m sometimes asked: “Japanese is a difficult language, isn’t it?”. Those asking are often surprised when my answer is a simple: “No, actually, it’s not.”.

Japanese, A Beautifully Complex Writing System

While it is true (at least to many Westerners) that Japanese is an exotic language, when compared to learning other European languages, it may seem harder because it has has no relation to their own language. But from my own experiences of learning English and German (and also from seeing some European friends learning Japanese), I can say with confidence that learning spoken Japanese is, in fact, not so difficult.

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