Posts Tagged ‘Typography’
We are pleased to present below all posts tagged with ‘Typography’.
We are pleased to present below all posts tagged with ‘Typography’.
Web typography has evolved a lot over the last years. Today we see rich, accessible typography, a plethora of type design choices for the web and a number of remarkable, type-based web designs. It's a great time for web design, and it's a great time for web typography. Still, being as excited as we are, we should not forget about the foundational principles of good type design on the web and use them properly within our projects. Great choice is good, but, most importantly, we should be making meaningful typographic choices in our designs.
In this post we present an extensive overview of educational resources, tools, articles, techniques and showcases all related to web typography. Please notice that the overview presents resources which we have stumbled upon, discovered, collected and reviewed over the last six months. This round-up is quite long, so save some time for a thorough study.Read more...
Creating great typeface combinations is an art, not a science. Indeed, the beauty of typography has no borders. While there are no absolute rules to follow, it is crucial that you understand and apply some best practices when combining fonts in a design. When used with diligence and attention, these principles will always yield suitable results. Today we will take a close look at some the best practices for combining typefaces — as well as some blunders to avoid.
By far the most popular principle for creating typeface combinations is to pair a sans serif header typeface with a serif body typeface. This is a classic combination, and it's almost impossible to get wrong.
In the examples above — a typical article layout — we have Trade Gothic Bold No.2 paired with Bell Gothic on the left side. They are both sans serif typefaces. However, they have very different personalities. A good rule of thumb, when it comes to header and body copy design problems, is not to create undue attention to the personality of each font. Trade Gothic is arguably a no-nonsense typeface. Bell Gothic, on the other hand, is much more dynamic and outspoken.Read more...
@font-face was introduced in the CSS2 spec in 1998, it wasn't until this past year that all in-use web browsers added support for it. This year we're seeing a wave of web font services being marketed, and this could have a profound impact on web typography.
Web font services, like Typekit and now the Google Font API, have captured a lot of attention. But in the past 3 months there's been an explosion of new services; services like Fonts Live, Fontdeck, Webtype and others with conjugated names involving "Font" or "Type".
While all of these services are unique, they each provide a tool for web designers and developers to legally display professional fonts on their website. The guide below compares 10 of these services, breaking down the pros and cons of each. We hope this comparison will help you make a more informed decision on which service to use when you venture into the ever-growing, sometimes confusing, world of web fonts.Read more...
In August we announced the World Of Signage Photo Contest, in which we encouraged designers, artists and photographers to go out with their cameras, shoot attractive typography and public signage and send us the results. The more obvious subjects we received were street signs, building facades, highway markers and road signs, as well as wayfinding graphics (i.e. directional signage) in public venues, subway signs, hotel and office signs and signs in shops, too.
The winner of the digital SLR camera, the Canon EOS Digital Rebel XS (EOS 1000D) is Julian Salaun for his photo "Suicide Signage", taken in the underground tube in Paris (see picture above). That's a sign you wouldn't normally notice; the unconventional perspective is attention-grabbing and makes the photo stand out with its almost ironic placement. Very unique, very original shot. Congratulations to you! (You should have been contacted by now.)Read more...
Studying art and design usually starts with a deep exploration of elements and principles. Among these elements, the most basic ones — line, point and plane — usually figure in a work of art or design. Thus, we can abstract art and design compositions to lines, points and planes when analyzing them. Not only is this abstraction useful for understanding the structure of a composition, but it also offers new sources of layout inspiration and experimentation.
According to Wucius Wong in his book Principles of Form and Design (page 42), point, line and plane can be considered conceptual design elements because, although they are not always explicit or visible, they seem to be present by implication. He explains how an angle, for example, implies the existence of a point and how lines, by marking the contour of an object, imply the presence of a plane.Read more...
Wherever we turn online, typography jumps out at us — sometimes literally, with the assistance of some clever coding. And now more than ever, we are seeing greater focus on this design element and its varied implementations around the Web. With the growing popularity of font embedding services and @font-face, typography is the talk of the town, but even though it is a regular topic among communities, not all of our typographic efforts are successful. Sometimes we swing for the fences, only to miss or fall short.
This is what brings us together today. We have looked around the Web and checked some of the many typographic choices of website owners — some of which are successful, others not so much. Below is a selection of some elegant and interesting websites. We will critique the typography on them, in order to explore how we can improve the type on our own websites. Look through them to see whether you spot any typographical trespasses that you may have committed yourself.Read more...
Every now and then we look around, select fresh high-quality free fonts and present them to you in a brief overview. The choice is enormous, so the time you need to find them is usually time you should be investing in your current projects. We search for them and find them so that you don’t have to.
In this selection, we’re pleased to present Piron, Nobile, St Marie, Code, Arcus, Crimson Text, Quadranta, Juice, Prociono, Mr Jones, Ibarra Real and various useful symbol fonts. Please note that some fonts are for personal use only and are clearly marked as such. Please read the license agreements carefully before using the fonts; they can change from time to time.
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The beauty of writing systems is that each has something unique from which to draw inspiration. Two weeks ago, in the first part of this article, we covered Arabic and East-Asian languages (Chinese, Japanese, Korean and Vietnamese) and a few Indic scripts (Devanagari, Thai and Tibetan).
We are now back for the second (and last) part, which is a bit different but just as interesting. You will see that some features of the languages presented here clearly correspond to our Latin-based system, while others are unfamiliar. The point of this second part is to complete our look at writing systems of the world and to think more generally about what they signify. We'll cover Hebrew, Modern European scripts, Mongolian, Inuktitut and International Phonetic Alphabet.Read more...
The beauty of typography has no borders. While most of us work with the familiar Latin alphabet, international projects usually require quite extensive knowledge about less familiar writing systems from around the world. The aesthetics and structure of such designs can be strongly related to the shape and legibility of the letterforms, so learning about international writing systems will certainly help you create more attractive and engaging Web designs.
Pick any language you like: Arabic, Chinese, Japanese, maybe Nepali? Each is based on a different writing system, which makes it interesting to figure out how they work. Today, we'll cover five categories of writing systems. This may sound tedious and academic, but it's not. If you take the time to understand them, you'll find that they all give us something special. We've tried to present at least one special feature of each language from which you can draw inspiration and apply to your own typography work. We'll cover: East Asian writing systems, Arabic and Indic scripts (Brahmic). If you are interested, we will cover Cyrillic, Hebrew and other writing systems in the next post.Read more...
Every now and again we take a look around, select “fresh” high-quality free fonts and present them to you in a brief overview. The choice is enormous, so the time you need to find them is usually the time you should be investing in your current projects. We search for them and we find them, so you don’t have to.
In this selection we’re glad to present you Kilogram, Adelle, Ayita Pro, Hattori Hanzo Typeface, Andron, Tertre, Luxi Sans, Sapir, Otari and a couple of other high-quality free fonts. Please read the license agreements carefully before using the fonts — the license can change from time to time.