Posts Tagged ‘Typography’

We are pleased to present below all posts tagged with ‘Typography’.

25 New Free High-Quality Fonts

Every now and then we look around, select fresh free high-quality fonts and present them to you in a brief overview. The choice is enormous, so the time you need to find them is usually time you should be investing in your projects. We search for them and find them so that you don’t have to.

Pompadour Numeral Set

In this selection, we’re pleased to present Pompadour Numeral Set, Lato, Crimson Text, Espinosa Nova, Musa Ornata, Spatha Sans, ColorLines, Roke1984, Neuton, Avro, Baurete and other fonts. Please note that some are for personal use only and are clearly marked as such. Please read the license agreements carefully before using the fonts; they may change from time to time.

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“What Font Should I Use?”: Five Principles for Choosing and Using Typefaces

For many beginners, the task of picking fonts is a mystifying process. There seem to be endless choices — from normal, conventional-looking fonts to novelty candy cane fonts and bunny fonts — with no way of understanding the options, only never-ending lists of categories and recommendations. Selecting the right typeface is a mixture of firm rules and loose intuition, and takes years of experience to develop a feeling for. Here are five guidelines for picking and using fonts that I’ve developed in the course of using and teaching typography.

Screenshot

Many of my beginning students go about picking a font as though they were searching for new music to listen to: they assess the personality of each face and look for something unique and distinctive that expresses their particular aesthetic taste, perspective and personal history. This approach is problematic, because it places too much importance on individuality.

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Web Typography: Educational Resources, Tools and Techniques

Web typography has evolved a lot over the last years. Today we see rich, accessible typography, a plethora of type design choices for the web and a number of remarkable, type-based web designs. It's a great time for web design, and it's a great time for web typography. Still, being as excited as we are, we should not forget about the foundational principles of good type design on the web and use them properly within our projects. Great choice is good, but, most importantly, we should be making meaningful typographic choices in our designs.

A Typographic Anatomy Lesson

In this post we present an extensive overview of educational resources, tools, articles, techniques and showcases all related to web typography. Please notice that the overview presents resources which we have stumbled upon, discovered, collected and reviewed over the last six months. This round-up is quite long, so save some time for a thorough study.

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Best Practices of Combining Typefaces

Creating great typeface combinations is an art, not a science. Indeed, the beauty of typography has no borders. While there are no absolute rules to follow, it is crucial that you understand and apply some best practices when combining fonts in a design. When used with diligence and attention, these principles will always yield suitable results. Today we will take a close look at some the best practices for combining typefaces — as well as some blunders to avoid.

Combine a serif with a sans serif

By far the most popular principle for creating typeface combinations is to pair a sans serif header typeface with a serif body typeface. This is a classic combination, and it's almost impossible to get wrong.

In the examples above — a typical article layout — we have Trade Gothic Bold No.2 paired with Bell Gothic on the left side. They are both sans serif typefaces. However, they have very different personalities. A good rule of thumb, when it comes to header and body copy design problems, is not to create undue attention to the personality of each font. Trade Gothic is arguably a no-nonsense typeface. Bell Gothic, on the other hand, is much more dynamic and outspoken.

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Review of Popular Web Font Embedding Services

Even though @font-face was introduced in the CSS2 spec in 1998, it wasn't until this past year that all in-use web browsers added support for it. This year we're seeing a wave of web font services being marketed, and this could have a profound impact on web typography.

FontDeck

Web font services, like Typekit and now the Google Font API, have captured a lot of attention. But in the past 3 months there's been an explosion of new services; services like Fonts Live, Fontdeck, Webtype and others with conjugated names involving "Font" or "Type".

While all of these services are unique, they each provide a tool for web designers and developers to legally display professional fonts on their website. The guide below compares 10 of these services, breaking down the pros and cons of each. We hope this comparison will help you make a more informed decision on which service to use when you venture into the ever-growing, sometimes confusing, world of web fonts.

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The Beauty Of Public Signage: Photo Contest Results

In August we announced the World Of Signage Photo Contest, in which we encouraged designers, artists and photographers to go out with their cameras, shoot attractive typography and public signage and send us the results. The more obvious subjects we received were street signs, building facades, highway markers and road signs, as well as wayfinding graphics (i.e. directional signage) in public venues, subway signs, hotel and office signs and signs in shops, too.

Wayfinding and Typographic Signs - Suicide Signage

The winner of the digital SLR camera, the Canon EOS Digital Rebel XS (EOS 1000D) is Julian Salaun for his photo "Suicide Signage", taken in the underground tube in Paris (see picture above). That's a sign you wouldn't normally notice; the unconventional perspective is attention-grabbing and makes the photo stand out with its almost ironic placement. Very unique, very original shot. Congratulations to you! (You should have been contacted by now.)

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Finding Alternative Sources Of Typographic Layout In Our Surroundings

Studying art and design usually starts with a deep exploration of elements and principles. Among these elements, the most basic ones — line, point and plane — usually figure in a work of art or design. Thus, we can abstract art and design compositions to lines, points and planes when analyzing them. Not only is this abstraction useful for understanding the structure of a composition, but it also offers new sources of layout inspiration and experimentation.

http://www.faub.org/two.html

According to Wucius Wong in his book Principles of Form and Design (page 42), point, line and plane can be considered conceptual design elements because, although they are not always explicit or visible, they seem to be present by implication. He explains how an angle, for example, implies the existence of a point and how lines, by marking the contour of an object, imply the presence of a plane.

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