Menu Search
Jump to the content X
X

80 Beautiful Typefaces For Professional Design

Advertisement

You don’t like to scroll? Be prepared. (We warned you.)

Every now and again designers stumble upon the very same problem: the choice of a unique and beautiful typeface which manages to fulfill three basic tasks. Support the corporate identity, enrich the visual appearance and is compatible with the overall design. However, usually there are simply too many options you can consider, which is why you need time to find the option you are most comfortable with. Although the choice usually depends on clients’ requirements, it is necessary to have some pretty starting points for your font decision.

So which typefaces are “bulletproof”? What fonts can be used effectively in almost every Corporate Design? And what are the options for unique, but still incredibly beautiful typefaces?

We have answers. Over the last few days we’ve browsed through dozens of type foundries, read dozens of designers’ articles about typography, analyzed font rankings and visited bookmarked font-related suggestions. So this post has ’em all. Well, OK, at least many of them.

Let’s take a look at over 80 gorgeous typefaces for professional design, based upon suggestions from designers and web-developers all over the world. Most screenshots are taken from the foundries and provided specimens – particularly on Veer.com and Fontshop.com.

Classic Typefaces Link

Classics of typography in a brief overview. You will find even more traditional typefaces on the site 100 Best Fonts, including history, development and related information.

1. Helvetica Link

Screenshot

2. Helvetica Neue Link

Screenshot

3. Univers Link

Screenshot

4. Frutiger Link

Screenshot

5. Avenir Link

Screenshot
Screenshot

6. Myriad Pro Link

Screenshot

7. Neuzeit Link

Screenshot

8. Syntax Link

Screenshot

9. Proxima Nova Link

Screenshot

10. Proxima Sans Link

Screenshot

11. Glasgow Link

Screenshot

12. Charlotte Sans Link

Screenshot

13. Precious Sans Link

Precious Sans
Precious Sans

14. Gill Sans Link

Screenshot

15. Lisboa Link

Screenshot

16. Franklin Gothic Link

Screenshot

17. Futura Link

Screenshot

18. EF TV Nord 1 Link

Screenshot

19. FF Scala Link

Screenshot

20. Rockwell Link

Screenshot

21. Eurostile Link

Screenshot

22. Warnock Link

Screenshot

23. FF DIN Link

FF DIN

24. FF Meta Link

FF Meta
FF Meta

25. Officina Link

Screenshot

26. FF Dax Link

Screenshot

27. DF Dynasty Link

Screenshot

28. Akzidenz-Grotesk Link

Screenshot
Screenshot

29. AG Book Link

Screenshot
Screenshot

30. Precious Serif Link

Precious Serif

Further Typefaces Link

The fonts listed below aren’t so well-known. Thus you can use them for unique corporate identity or user interfaces which are supposed to have a “fresh” look.

31. Locator Link

Locator

ProcessTypeFoundry

32. Seravek Link

Seravek

ProcessTypeFoundry

33. FF Kievit Link

FF Kievit
FF Kievit

Source

34. Ronnia Link

Ronnia

Typetogether

35. Stella Link

Stella

Feliciano Type Foundry

36. Le Monde Courrier Link

Screenshot

Le Monde Courrier, € 167.4 for 2 PCs

37. Parisine PTF Link

Screenshot

Parisine PTF, € 210 for 8 PCs

38. Freight Link

Freight Sans

Source

39. Guardian Link

Guardian

Christian Schwartzl

40. Anomoly Link

Anomoly

41. PMN Caecilia Link

PMN Caecilia
PMN Caecilia

42. Leitura Link

Leitura

Source / DSType

43. The Mix Link

The Mix

Source

44. Stalemate Link

Stalemate
Stalemate

45. Neo Sans Link

Neo Sans

Source

46. Felbridge Link

Felbridge

Felbridge, £29.00 per font

47. Trade Gothic Link

Trade Gothic

48. Karmina Link

Karmina

Typetogether

49. FF Milo Link

FF Milo
FF Milo

Source: Typographica.org

50. Auto Link

Auto

Source

51. Soho Link

Soho

Source

52. Kepler Link

Kepler

Source

53. Depot Link

Depot

Chris Dickinson

54. Relato Sans Link

Relato Sans

Source

55. Priva Pro Link

Priva Pro

DSType

56. Relato Serif Link

Relato Serif

Source

57. Alber Link

Alber

Chris Dickinson

58. Palatino Sans & Informal Link

Palatino Sans Informal

Source

59. Fedra Sans Link

Fedra Sans

Source

60. Olga Link

Olga

Source

61. Depot Link

Depot

Chris Dickinson

62. Priva Pro Link

Priva Pro

DSType

63. Whitman Link

Whitman

Source

64. Productus Link

Productus

Source

65. Tempelhof Link

Tempelhof

Günter Schwarzmaier

66. Amira Link

Amira

Source

67. Krart Link

Krart

Source

68. Tang Link

Tang

Source

69. Dederon Sans Link

Dederon Sans

Source

70. Samuels Family Link

Samuels Family

(Images: MyFonts Newsletter)

71. Untitled Link

Untitled

Source

72. Greta Text Link

Greta Text

Source

73. FF Sanuk Link

FF Sanuk

74. Houschka Link

Houschka

75. Scene Link

Scene

Source

76. Amplitude Link

Amplitude

Source

77. Insider Link

Insider

Characters.nl

78. Preface Link

Preface

79. Flex Link

Flex

Source

80. Halvorsen Link

Halvorsen

Source

81. Xtra Sans Link

Xtra Sans

Source

Foretaste for one of our next posts:
The Future of Typography

82. Obliqua (in development) Link

Obliqua

Source

83. Muestra Urbana (in development) Link

Muestra Urbana

Source

83. Wingardium Link

Wingardium

Source

84. Tauran Regular Link

Tauran Regular

Source

85. Mello Sans Link

Mello Sans

Source

Smashing Book #5

Hold on tiger! Thank you for reading the article. Did you know that we also publish printed books and run friendly conferences – crafted for pros like you? For example, Smashing Book 5, packed with smart responsive design patterns and techniques.

↑ Back to top Tweet itShare on Facebook

Vitaly Friedman loves beautiful content and doesn’t like to give in easily. Vitaly is writer, speaker, author and editor-in-chief of Smashing Magazine. He runs responsive Web design workshops, online workshops and loves solving complex UX, front-end and performance problems in large companies. Get in touch.

Advertisement
  1. 1

    good one!!! – as usual :)

    0
  2. 2

    Wow, this is amazing. Absolutely Smashing!!!

    2
  3. 3

    cool, font always be major factor to achieve great webdesign

    1
  4. 4

    Great list guys. I think you covered most all of the great ones I know of.

    I have to say my favorite is Myriad Pro though.

    3
  5. 5

    nice overview. your list includes some very nice fonts which i havn’t seen before. but i’ll miss direct links ;)

    0
  6. 6

    Great list. You captured many of my favorites. The primary ones I missed were Transit, News Gothic and Minion although I wouldn’t necessarily expect them to be present anyway.

    0
  7. 7

    Well…there is not said in which order you have put this fonts together. There are no comments, no details…

    Sorry, but how is this helpfull?
    Thats the problem about such ranking lists…

    2
  8. 8

    Gorgeous and simple, they way to go.

    0
  9. 9

    is any of those free?

    torrent link? :))

    0
  10. 10

    Thank you for scrolling! :) I love this list!
    I’m sure it’ll speed up my next choice!

    0
  11. 11

    Awesome list! I love the way you guys have screenshots of the font in action, some designs look very classy. nice work. :D

    0
  12. 12

    Genius.

    I’ve come to love your blog more than any other.

    Keep up the brilliant work. I hesitated, and chose not to throw in the word smashing, ha ha. But I was going to.

    0
  13. 13

    Awesome post, I definitively would like some more post about typography. Good job guys.

    0
  14. 14

    You Guys ROCK!!!

    0
  15. 15

    Excellent list, another font that I use quite regularly is Audimat (free!)

    http://fontleech.com/09/26/2006/audimat-smeltery/

    1
  16. 16

    Excellent as usual. There are some fantastic typefaces here.

    0
  17. 17

    This is a completely arbitrary list. I’m a professional typographer. I would never use any of them with the possible exception of Warnock. Helvetica, Univers and their variations are hopelessly overused, tired and BORING. The other faces you show are mostly quirky at best, inept at worst. This is easily the most amateurish collection of “best” typefaces I’ve seen in a long time.

    -2
    • 18

      Really Jules, rock out with your cock out and show us what you got. You can’t leave a comment like that and not back it up with even one example from your private stash…

      10
    • 19

      The only reason a font would be ‘tired’ or ‘boring’ is the context that you are using it in. Helvetica is kicking by nicely and has remained a crowd favourite based on its ability to adapt to its surroundings. It is not an aging fad, like most ‘edgy’ or ‘cool’ fonts, it is as good as you use it. That goes for pretty much all fonts, except maybe Comic Sans.

      1
  18. 20

    Juan Manuel Lemus

    August 8, 2007 2:20 am

    The fonts is one of the most important part of every web design. This collection is very precious. Good, very good. I was’nt watched some font styles.

    4
    • 21

      not really majority of these fonts are postscripts and open type. Not for use for the web.

      -9
  19. 22

    Thank you, I’ve been needing this for awhile. Much appreciated.

    0
  20. 23

    frank tolentino

    August 8, 2007 9:45 am

    good posting! this well help others who are not “a professional typographer” to pick and use different styles in their next letter, project,web, logo, etc.

    choosing a good typseface is essential for corporate branding.

    chossing the right fonts for the project, always makes a big impact. Just make sure it is consistent.
    :)

    0
  21. 24

    no freebies?
    no fun

    0
  22. 25

    no trebuchet ms? surely you jest. trebuchet ms is my all time favorite font, the best of the bunch no doubt.

    1
  23. 27

    Good to see Univers made the list. Quite fond of that font. As well as the Corpid collection (sadly it didn’t make the list). I think I’ve used it a little too religiously at times.

    Either way, a great list. I’m going to go out and see if I can find Flex now. :D

    0
  24. 28

    I’m a publishing professional and have worked as a type director for a madison avenue ad agency. I never heard of 90 percent of these faces. My bad? Most of them look like like knock-offs of long-time standards.

    0
  25. 29

    Abhijit Nadgouda

    August 8, 2007 10:59 am

    A good list. However, I will add one more need for choosing a typeface – its readability across all platforms. It is a critical one for the web where the variety in client environments is maximum.

    0
  26. 30

    depot is so good….its on twice!

    1
  27. 31

    Man, they are all cool but i love “FF Sanuk”. Might have to purchase that one. Great list.

    0
  28. 32

    Very special list. So, does one of us posters win the whole collection? PLEASE?!

    3
  29. 33

    Wow – great resource! We chose our logo’s font from your list here.

    0
  30. 34

    Wow, nice job! I spend lots of time playing with fonts daily. This is a great resource!

    0

↑ Back to top