The importance of typography in design can’t be overestimated. The accuracy, precision and balance of geometric forms can give letters the elegance and sharpness they deserve. Besides, elegant fonts can help to convey the message in a more convenient way. In fact, while there are many excellent professional fonts (we’ve presented some of them in our article 80 Beautiful Typefaces For Professional Design1) there are literally thousands of free low-quality fonts which you would never use for professional designs.
Quality costs. The price of “bulletproof” fonts usually reflects their quality and starts at 50$ per typeface. However, before purchasing a font you will probably use only once in your designs you might want to take a glance at outstanding free alternatives first.
Over the last year we’ve been observing typo-designers and their works; we’ve regularly collected high-quality fonts available for free download and free to use for personal or/and commercial projects. In this article we’d like to present an overview of over 40 excellent free fonts you might use for your professional designs in 2008. What is your favourite?
- Some images are taken from Gerrit van Aaken’s Typography Essays2. Thank you, Gerrit.
- We haven’t listed Arial, Georgia, Verdana, Trebuchet MS & Co. as well as Calibri, Cambria, Candara, Constantia and Corbel as they are delivered almost “automatically”.
- You can visit the Free Fonts Section3 to find more free fonts. The category is regularly updated.
- We’d like to thank to all typo-designers and foundries for releasing these fonts for free. We appreciate your work and your intentions.
- Before using fonts please read the license agreements carefully — they can change from time to time.
Excellent Freefonts For Professional Designs in 2008 Link
Gentium is a typeface family designed to enable the diverse ethnic groups around the world who use the Latin script to produce readable, high-quality publications. It supports a wide range of Latin-based alphabets and includes glyphs that correspond to all the Latin ranges of Unicode. Gentium examples5.
A very calm, serious and impressive sans-serif free font from GarageFonts’ District family. The font is available as Mac Postscript, Mac TrueType, PC Postscript, PC Truetype and OpenType.
Few years ago the government of the region has decided to design a new typeface to enable its 28.000 citizens to use all four languages in a uniform manner. The result is a beautiful, rich and professional sans-serif free font. The family includes a bold, heavy, italic, light and regular weights. Examples11.
Special attention was given to character spacing to obtain a homogenous appearance. With its relatively large x-height the Delicious can be used for text in smaller point sizes. The Delicious italic is not a slanted roman, but a true italic. Serif, Mac / PC.
A robust and rigid font, forgiving, flexible, elegant and also suitable for a broad use: from a stationery to a poster headline. A smashing serif freefont by Jos Buivenga, dedicated to the One-Year-Anniversary of Smashing Magazine. Besides ligatures, contextual alternatives, fractions and oldstyle/tabular numerals Anivers also has a ‘case’ feature for case-sensitive forms. Anivers supports CE languages and Esperanto. It has more than 350 glyphs and over 1.600 kerning pairs. Examples17.
Available weights: regular, italic, bold, bold italic and small caps. It is a sans companion of Fontin24 and can be downloaded at Mac & PC (OpenType). Fontin Sans is absolutely free for personal and commercial use. Examples25.
This “coffee”-font is supposed to be used in headlines and brief text passages; it shouldn’t, however, be used for body copy. The numbers and currency signs are monospaced, which means that they have the same width. This is useful if you’d like to place them on a restaurant menu beneath each other in a table. The alternative and historic symbols as well as ligatures can be activated via the OpenType-option »optional ligatures«. Released under Creative Commons license. Examples31.
The typeface is suitable for all periodicals wishing to abandon inconspicuously the hideous system typefaces with their even more hideous accents and to change over to the contemporary level of graphic design. It is also most convenient for everyday work in text editors and office applications. It has a fairly large x-height of lower case letters, shortened serifs and simplified endings of rounded strokes. For professional use you need a valid license which means purchasing the font.
Cardo is a large Unicode font specifically designed for the needs of classicists, Biblical scholars, medievalists, and linguists. This font is free for personal, non-commercial, or non-profit use.
In digitizing this typeface, attention was mainly given to duplicate the technical imperfections of 16th-century printing, which have been lost with today’s technologies. In order to accomplish this, some digital type design conventions have been avoided – things like the uniformity of the serifs, overall stroke precision, vertical proportion exactitude. This digitization should work nicely when used anywhere from 10 to 30 pt. Some design oddities, appealing or otherwise, may appear in 30+ pt usage. This serif font is available in PC Type 1 and PC True Type formats.
Romeral44 offers aside from optimal legibility an elegant style, rounded forms and sharp geometric structure of its letters. Romeral is designed to produce a noticeable visual impact that invites the audience to the reading due to its sizable thickness. Interestingly enough, the basic idea of this OpenType-font was to find a way to fill the color titles zone in order to create a comfortable atmosphere for the reading experience. It can be used for body copy and headlines. Free to use in personal and commercial projects.
To get the font, contact the designer Juan Pablo De Gregorio or add a comment to the post, explaining, who you are, why are you willing to get the font and how do you intend to use it. The author sends the font via e-mail.
Jos Buivenga’s freefont that is a bit square and sharp. Great attention has been given to detail, spacing and kerning. It contains more than 300 glyphs and over 1.300 kerning pairs. So Tørwald can pick up his Téléphone without worrying. Diavlo contains (some) East European characters and also Esperanto characters.
The final release contains 5 weights: Light, Book, SemiBold, Bold and Black. Diavlo contains a bunch of ligatures and contextual alternatives (OpenType feature) to prevent undesired collisions.
Slab-serif. Kontrapunkt was awarded the Danish Design Prize for best typeface. The aim has been to develop a distinct font, with regards to both the inidividual character and the overall image as such. The typeface has so far been developed in a light, light italic and bold version.
The Fontin is designed to be used at small sizes. The color is darkish, the spacing loose and the x-height tall. The numbers of the Fontin have a ‘hybrid’ design. They carry the characteristics of medieval numbers, but their size is larger than the x-height. Mac (Type 1), PC (TTF, Opentype).
It’s a bit like Laphroaic; the more you get to know it, the more you’ll (probably) appreciate it. With it’s auto-ligatures (no Open Type programms needed), a complete character set and many other unknown features it can be hard to resist. Regular only.
Pixel fonts Link
Unibody is an optimized screen font family for Macromedia Flash MX and Adobe Photoshop. It’s designed for one point size only, 8 pts.
Silkscreen is best used in places where extremely small graphical display type is needed. The primary use is for navigational items (nav bars, menus, etc.). Silkscreen also works very well at large point sizes if you’re looking for that chunky, old school computer look so popular with the kids today. Created by Jason Kottke. Silkscreen, with both Mac and Windows versions, is free for personal and corporate use. TrueType, Windows, Mac, Linux.
- 1 https://www.smashingmagazine.com/2007/08/08/80-beautiful-fonts-typefaces-for-professional-design/
- 2 http://praegnanz.de/essays/
- 3 https://www.smashingmagazine.com/category/fonts/
- 4 http://scripts.sil.org/gentium
- 5 http://praegnanz.de/essays/gentium
- 6 http://scripts.sil.org/gentium
- 7 http://scripts.sil.org/gentium
- 8 http://www.philsfonts.com/freefont.html
- 9 http://www.philsfonts.com/freefont.html
- 10 http://www.ellak.gr/fonts/mgopen/
- 11 http://praegnanz.de/essays/pigiarniq
- 12 http://exljbris.com/delicious.html
- 13 http://exljbris.com/delicious.html
- 14 http://exljbris.com/delicious.html
- 15 http://exljbris.com/delicious.html
- 16 http://exljbris.com/anivers.html
- 17 http://exljbris.com/anivers.html
- 18 http://exljbris.com/anivers.html
- 19 http://exljbris.com/anivers.html
- 20 http://exljbris.com/tallys.html
- 21 http://exljbris.com/tallys.html
- 22 http://exljbris.com/tallys.html
- 23 http://exljbris.com/fontinsans.html
- 24 http://exljbris.com/fontin.html
- 25 http://exljbris.com/fontinsans.html
- 26 http://exljbris.com/fontinsans.html
- 27 http://exljbris.com/fontinsans.html
- 28 http://www.dafont.com/font.php?file=geo_sans_light&page=1&nb_ppp_old=10&text=Geo+Sans+Light&nb_ppp=10&psize=l&classt=alpha
- 29 http://www.dafont.com/font.php?file=geo_sans_light&page=1&nb_ppp_old=10&text=Geo+Sans+Light&nb_ppp=10&psize=l&classt=alpha
- 30 http://praegnanz.de/essays/yanone-kaffeesatz
- 31 http://praegnanz.de/essays/yanone-kaffeesatz
- 32 http://www.yanone.de/schriftgestaltung/kaffeesatz/
- 33 http://www.yanone.de/schriftgestaltung/kaffeesatz/
- 34 http://moorstation.org/typoasis/designers/klein03/text/justold.htm
- 35 http://moorstation.org/typoasis/designers/klein03/text/justold.htm
- 36 http://www.stormtype.com/free.html
- 37 http://www.stormtype.com/free.html
- 38 http://scholarsfonts.net/cardofnt.html
- 39 http://scholarsfonts.net/cardofnt.html
- 40 http://www.dafont.com/liberation-serif.font
- 41 http://www.dafont.com/liberation-serif.font
- 42 http://www.dafont.com/liberation-sans.font
- 43 http://www.dafont.com/liberation-sans.font
- 44 http://typies.blogspot.com/2006/12/romeral-display-typeface.html
- 45 http://www.typies.blogspot.com
- 46 http://typies.blogspot.com/2006/12/romeral-display-typeface.html
- 47 http://typies.blogspot.com/2006/12/romeral-display-typeface.html
- 48 http://pedroreina.net/apostrophiclab/0158-Scriptina/scriptina.html
- 49 http://pedroreina.net/apostrophiclab/0158-Scriptina/scriptina.html
- 50 http://www.dafont.com/font.php?file=mank_sans&page=1&nb_ppp_old=10&text=Mank+Sans&nb_ppp=10&psize=m&classt=alpha
- 51 http://www.dafont.com/font.php?file=mank_sans&page=1&nb_ppp_old=10&text=Mank+Sans&nb_ppp=10&psize=m&classt=alpha
- 52 http://letritas.blogspot.com/2006/05/chcara-una-tipografa-econmica.html
- 53 http://letritas.blogspot.com/2006/05/chcara-una-tipografa-econmica.html
- 54 http://www.dafont.com/font.php?file=qlassik&page=1&nb_ppp_old=10&text=Qlassik&a=on&e=on&nb_ppp=10&psize=m&classt=alpha
- 55 http://www.dafont.com/font.php?file=qlassik&page=1&nb_ppp_old=10&text=Qlassik&a=on&e=on&nb_ppp=10&psize=m&classt=alpha
- 56 http://exljbris.com/diavlo.html
- 57 http://exljbris.com/diavlo.html
- 58 http://exljbris.com/diavlo.html
- 59 http://exljbris.com/diavlo.html
- 60 http://www.dafont.com/font.php?file=cicle&page=1&nb_ppp_old=10&text=Type+your+text+here&nb_ppp=10&psize=l&classt=alpha
- 61 http://www.dafont.com/font.php?file=cicle&page=1&nb_ppp_old=10&text=Type+your+text+here&nb_ppp=10&psize=l&classt=alpha
- 62 http://www.fontsquirrel.com/fonts/Kontrapunkt
- 63 http://www.fontsquirrel.com/fonts/Kontrapunkt
- 64 http://exljbris.com/fontin.html
- 65 http://exljbris.com/fontin.html
- 66 http://www.fontsquirrel.com/fonts/Colaborate
- 67 http://www.fontsquirrel.com/fonts/Colaborate
- 68 http://www.fontsquirrel.com/fonts/Colaborate
- 69 http://www.typoblog.ch/?p=142
- 70 http://exljbris.com/fertigo.html
- 71 http://exljbris.com/fertigo.html
- 72 http://exljbris.com/fertigo.html
- 73 http://www.dafont.com/font.php?file=steiner&page=1&nb_ppp_old=10&text=Type+your+text+here&nb_ppp=10&psize=l&classt=alpha
- 74 http://www.dafont.com/font.php?file=steiner&page=1&nb_ppp_old=10&text=Type+your+text+here&nb_ppp=10&psize=l&classt=alpha
- 75 http://www.smeltery.net/fonts/audimat
- 76 http://www.fontleech.com/
- 77 http://www.smeltery.net/fonts/audimat
- 78 http://www.greyscale.net/basic/
- 79 http://www.cpluv.com/www/feeditem/3085
- 80 http://www.greyscale.net/basic/
- 81 http://www.dafont.com/font.php?file=existence&page=1&nb_ppp_old=10&text=Type+your+text+here&nb_ppp=10&psize=l&classt=alpha
- 82 http://www.dafont.com/font.php?file=existence&page=1&nb_ppp_old=10&text=Type+your+text+here&nb_ppp=10&psize=l&classt=alpha
- 83 http://com4t-fff.seesaa.net/article/20901050.html
- 84 http://pixelfonts.style-force.net/
- 85 http://pixelfonts.style-force.net/
- 86 http://pixelfonts.style-force.net/
- 87 http://www.underware.nl/site2/index.php?id1=unibody&id2=download
- 88 http://www.underware.nl/site2/index.php?id1=unibody&id2=download
- 89 http://www.kottke.org/plus/type/silkscreen/
- 90 http://www.kottke.org/plus/type/silkscreen/
Hold on, Tiger! Thank you for reading the article. Did you know that we also publish printed books and run friendly conferences – crafted for pros like you? Like SmashingConf Barcelona, on October 25–26, with smart design patterns and front-end techniques.