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The Ultimate Guide To Clone Tools In Photoshop

Photoshop’s wide array of cloning tools is the cause of many of the absolute best and worst works created with the application. In a skilled and experienced hand, these tools lead to phenomenal results. In the hands of a careless artist, Photoshop cloning can be disastrous to the credibility of the result. This article introduces the several cloning tools available in Photoshop and goes over the proper usage and best practices of each. [Updated May/02/2017]

Further Reading on SmashingMag: Link

The Clone Stamp Tool Link

The Clone Stamp tool is the oldest and most widely known of the cloning tools. The basic concept is that you duplicate certain portions of an image using a source, destination and brush.

clone tool photoshop - Setting the source

Use the “Option” key (“Alt”) to set the source.

To clone out the name on the tombstone above, you would select a source that shares the texture of the area you want to replace. In this case, the area around the words provides an ample source of stone texture from which to clone.

To begin, simply click on the preferred source area while holding down the “Option” key (“Alt” on a PC). Then, with no keys held down, begin painting over the area you want to replace. The image area from the source will be transferred to the destination.

To be able to use this tool effectively, let’s look at the relevant settings.

Basic Settings: Brush Link

Below, you’ll find the default settings when the clone stamp is selected.

Clone Stamp Options

The clone stamp’s basic settings.

The first setting you’ll want to familiarize yourself with is for the brush. Photoshop does not restrict cloning to a basic default brush. Instead, it allows you to use any brush you want, allowing you to create an unlimited number of effects. In the example above, and in most cases in fact, a small to medium-sized round soft brush gives the best result.

Clone Stamp Options

A hard brush creates noticeable seams.

As you can see, a hard brush often creates visible edges along the path of the clone. The transition is much smoother on the left side, where a soft brush was used. Both sides suffer from noticeable replication, but this was intentional to exaggerate the cloned area. We’ll discuss how to avoid this later.

As stated, while a soft round brush is recommended for basic cloning, a number of interesting effects can be created using alternate brushes. For instance, below I’ve used a scatter brush shaped like a leaf to add some visual interest to the photo.

Clone Stamp Scatter

Use a scatter brush to create interesting particle effects.

Experiment with the opacity, blending mode and brush flow for an even wider variety of results. For more information on using these features, check out the article “Brushing Up on Photoshop’s Brush Tool4.”

Basic Settings: Sample Link

Under the “Sample” menu are three options: Current Layer, Current and Below and All Layers. These options affect the area you are sourcing. Here’s a visual illustration of how each mode works:

Clone Stamp Sample

The area cloned depends on the selected layer and sample mode.

As you can see, with Current Layer selected, the clone stamp ignores pixel data contained in any other layer. Conversely, All Layers ignores all layer distinction and clones any visible pixels in the document (invisible layers will be ignored). Finally, Current and Below samples pixels from the selected layer and any visible layers behind it.

Basic Settings: Adjustment Layers Link

The final basic setting (the circle with a diagonal line through it) lets you decide whether the clone stamp tool should sample adjustment layers when cloning. Adjustment layers, such as Hue/Saturation and Levels, are meant to be a non-destructive way to change the appearance of layers. So, you can make drastic changes to a layer or group of layers without destroying the original pixels.

Because of this, turning on Ignore Adjustment Layers When Cloning is almost always a good idea. This allows you to clone the original image, which can then be affected by an ever-changeable adjustment layer. If you do not choose to ignore the adjustment layer, the adjustment becomes permanent in the cloned areas.

In the layer set-up below, turning on Sample All Layers would by default clone pixels from both the background layer and the adjustment layer in the foreground. Turning on Ignore Adjustment Layers prevents this.

Clone Stamp Sample

You can choose to ignore adjustment layers when cloning.

The Spot Healing Brush Link

As you can see below, the Spot Healing Brush tool is located under the Eyedropper tool and above the Brush tool, and it can be accessed quickly by hitting J on the keyboard.


Type J to bring up the Spot Healing Brush.

The Spot Healing Brush is by far the simplest cloning tool in Photoshop. With little to no experience, you can repair small areas of an image. The secret to using the tool is in the name: Spot Healing. The tool is intended not for large areas of replacement, but rather to remove little unwanted spots, such as a scratch on an old photograph or a mole on a person’s face.

To use the tool, simply hover over the area you want to replace and click once. Photoshop does all the work by examining the pixel data around the spot and seamlessly integrating the data into the destination.

Spot Healing Brush6
The Spot Healing Brush is perfect for repairing old photographs.

As you can see above, the tool does a remarkable job of not leaving behind any noticeable artifacts or repeating patterns. The trick is to go slowly and work on very small portions of the image. Select a spot to fix, and use a brush that’s only slightly bigger than the selected imperfection. The larger the brush, the more likely you are to clone unwanted portions of the surrounding area, and the more noticeable the repetition of pixels will be.

Spot Healing Brush7
Use a brush slightly bigger than the target spot.

The Healing Brush Link

The Healing Brush tool, located under the Spot Healing Brush tool, is very similar to the Clone Stamp tool. To begin, Option + click (Alt + click on a PC) to select your source, and then carefully paint over the destination to transfer the pixels. The Healing Brush performs this operation with more built-in intelligence than the Clone Stamp.

As with the Spot Healing Brush, the Healing Brush attempts to automatically blend in the cloned pixels with the environment around it.


The Healing Brush tool automatically blends the source with the destination.

As you can see, using the Clone Stamp to clone the puppy’s eye results in a straight copy of the pixels, while the Healing Brush does a much better job of blending with the background.

This built-in intelligence proves extremely helpful when cloning a subject with diverse colors, textures and lighting conditions. Using the Clone Stamp in these situations can leave you with a lot of noticeably patchy spots that really stand out from the surrounding area.

Healing Brush8
The Healing Brush Tool makes it easy to clone visually complicated areas.

The photograph above is a good example of a subject with a fairly complicated surface. Using the Clone Stamp tool would have made it quite difficult to paint over the cracked areas while retaining the integrity of the stained stone. Much of the discoloration would have been sacrificed as you sourced smoother areas to erase the cracks. However, the Healing Brush was able to effectively replace the cracked areas with smoother areas, while sampling from the surrounding area to replicate the stains.

The Patch Tool Link

The final healing tool we’ll examine is the Patch tool, which can be found under the Healing Brush tool, as seen below.

Patch Tool

Tip: hit Shift + J to cycle between the tools in the fly-out menu.

The cloning tools we’ve examined so far are best when used meticulously on small portions of an image. By contrast, the Patch tool is the best way to clone large, relatively uniform areas. As with the other healing tools, the Patch tool not only performs a straight clone but attempts to blend in the edge of the selected area with the target environment.

To use the Patch tool, either make a selection with any of the selection tools, or simply select an area with the Patch tool’s built-in lasso. There are two modes to choose from for the behavior of the patch: “Source” and “Destination” (found in the menu bar above the document area).

Source Mode Link

With the source mode selected, first select the area of the image you want to replace, and then drag that selection to the area you want to source. For instance, to eliminate the golf ball in the image below, you would first select the area around the golf ball, and then drag that selection around to find the best source.

Patch Tool9
In source mode, first select the area you want to replace.

As you drag the selection around to find a suitable source, watch the destination (i.e. your originally selected area) for a preview of what the source pixels will look like in that area. Keep in mind that this preview is a straight clone without any blending (the final image will look much better). Release the selection to see the actual result.

Patch Tool10
The Patch tool’s result.

As you can see, it does a pretty impressive job of blending the source and destination pixels all on its own. But going over areas that need improvement with the Healing Brush is good practice.

Destination Mode Link

With “Destination” mode selected, the area you select first will be the area that is replicated elsewhere. For instance, if we start with the same selection as before, dragging the selection this time gives us a preview of copying the ball to a new location.

Patch Tool11
Patch tool destination mode.

After you release the selection, the golf ball is copied to a new area of the image and blended with the surrounding pixels.

Patch Tool12
Result of “Destination” mode.

The Clone Source Palette Link

The Clone Source palette (found under Window → Clone Source) is an invaluable resource for professional-quality cloning. This tool gives you much more control over the results and functionality of the Clone Stamp and Healing Brush.

The Clone Source palette contains three primary sections: cloning source, offset adjustment and overlay options.

Patch Tool

The Clone Source palette.

Cloning Sources Link

In the first section in the Clone Source palette, you can define multiple areas of an image as a source from which to clone and/or heal.


Defining multiple sources.

The image above illustrates an example of when you might want to define multiple sources. To save a source, click on one of the five source buttons, and then Option + click (Alt + click) with either the Clone Stamp or Healing Brush. That location will now be saved to that button. Now, select the next button in line, and do the same in another part of the image. Once your sources are loaded, you can quickly shift between them simply by clicking the related button.

Notice that the file name appears just under the clone source buttons. This is because you can actually select a clone source outside of the image that you’re working on. Simply open a different file and set the clone source. Then, when you go back to the primary file to paint with the Clone Stamp or Healing Brush, the pixels from the other image will function as the source of the clone.

Offset Options Link

The second section of commands in the Clone Source palette really increase the variety of cloned results available to you. You can set exact coordinates for the source, change the size of the cloned result relative to the original source, tweak the rotation of the result and set a precise offset (again, relative to the original source).


Tweaking the cloned results.

You can see these transformation effects in action in the example above. The two bails of hay are actually one and the same, but they look considerably different because of the offset options. First, I set both the width and height to 90%, so that the cloned bail would appear slightly smaller than the original. Then I changed the width to -90% to flip the clone horizontally (you could change the height to a negative number to flip the image vertically). Finally, I set the rotation to 10° to give the illusion of a small hill.

Overlay Options Link

The overlay options are among the most helpful features in the Clone Source palette. Years ago, cloning involved a lot of guess work because it was difficult to tell exactly what the selected sample would look like without actually applying it. The guesswork has been eliminated with the “Show Overlay” command. When “Show Overlay” is selected in conjunction with the “Clipped” option, your brush is shown with a preview of the clone source inside. This is extremely helpful when attempting to clone inorganic areas with straight edges, such as a brick wall.


An overlay of the source is displayed within the brush.

Note that if you choose to turn on the overlay but turn off “Clipped,” then your entire clone source layer will be shown surrounding the brush.

Working this way is actually quite difficult because the source significantly blocks your view of the destination. But if you prefer it, try reducing the opacity of the overlay so that you can see the image below.

Vanishing Point Link

Vanishing Point takes cloning to an entirely new dimension, literally. The tool makes it possible to set up primitive planes across your artwork, which a clone then follows to simulate a three-dimensional space. Vanishing Point has a ton of features and potential applications, and it really merits its own entire article, so this will be just a brief introduction.

When you open up the Vanishing Point dialog (found under the “Filter” menu item), you’ll see a large preview of your image, along with a small set of tools on the left side.

Patch Tool13
The Vanishing Point dialog.

Grab the tool sitting second from the top to set up your initial plane. With this tool, click once on each of the four corners, outlining the desired plane. Once you’ve created an initial plane, you can Command + click (Control + click on a PC) to extend the plane perpendicularly. Some images, though, like this old barn, won’t have perfect angles. In this case, you’ll have to create a second plane, entirely distinct from the original.

Patch Tool14
Setting up planes.

Once you’re satisfied with the planes, grab the Clone Stamp (fourth from the top), and Option + click the desired source (in our case, the barn door). Then clone the door onto the front-facing wall using the same method you would use with the normal Clone Stamp tool. Turn “Healing” on in the drop-down menu above the image preview to ensure that the source is properly blended into the destination.

Patch Tool15
Vanishing Point result.

As you can see, Photoshop interpreted the planes fairly well. Some fine-tuning and clean-up are definitely necessary if we want a believable image; but overall, the result is extremely impressive, given the lack of work required.

5 Quick Tips For Better Cloning Link

Now that we’ve examined each tool in depth, let’s close by recalling a few things to keep in mind if we want to clone with professional results.

Take Your Time Link

As you undertake a cloning project, the quality of the result is directly proportional to the amount of time you put into it. Cloning photographic details can be incredibly tedious work. The world has become well acquainted with Photoshop magic, so never assume that no one will notice your blunders.

Duplicate the Active Layer Link

The very first step to take when cloning parts of an image is to duplicate the layer you’ll be working on (or to just work on a new transparent layer). Realizing that you made a mistake so long ago that your “Undos” don’t go back far enough to fix it is beyond frustrating. Keeping the original image on a hidden layer gives you the flexibility to revert any part of an image to its original state.

Be Selective With Your Tools Link

Each cloning tool has its strengths and weaknesses, as outlined above. Never arbitrarily grab a tool and stick with it for the duration of a project. Consider which tool is best suited to the particular area of the image you’re working on. On large projects, no single tool creates believable results on its own. Use two or more tools in synergy to achieve a realistic result.

Watch for Obvious Duplication Link

Patch Tool16
Sloppy cloning results in noticeable patterns.

If you’re not careful, duplicated pixels can become painfully obvious. This is especially true of areas that should look fairly organic, like the grass above. Instead of appearing natural, an obvious pattern emerges when you use the same section of an image over and over. To avoid this, make heavy use of the Clone Source palette. Use multiple sources; and change the size, rotation and orientation of the areas you’re cloning to give the illusion of an unmanipulated image.

Avoid Disasters Link

When retouching significant parts of an image, overlooking certain areas becomes all too easy.

Patch Tool17
Where did her leg go!?

If you’re not careful, you could eliminate enough vital body parts to make the image humorous. Your goal is to prevent your work from showing up on Photoshop Disasters18, which is where you’ll find the image above.

Conclusion Link

Cloning in Photoshop is a difficult task that requires significant time, studious attention to detail and an in-depth knowledge of several tools and commands. To improve the quality of your results, invest some time learning Photoshop’s entire cloning arsenal. Experiment with all of the options for each tool to get a better feel for where you can excel.

Additional Resources Link


Footnotes Link

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Josh Johnson is the Product Manager for Creative Market. He's also a writer, designer, and photographer, and currently lives in Phoenix.

  1. 1

    Nice Tutorial, very useful for me!!

  2. 2

    Sorry, amateur. One of the articles which sholdn’t be on SM

    • 3

      Not all of us are Photoshop guru’s in here, it’s nice to find an article for us “amateurs” from time to time and that doesn’t mean that SM has to teethe on beginner-level articles . It doesn’t hurt having these how-to’s around.

      • 4

        I’ve been using photoshop for years and never knew how to use the other cloning tools properly. I normally just use the standard cloning tool and took the time to blend it in. This is a good article for many skill levels.

        • 5

          Ditto. Even after studying this in school for a few years and using PS on my own for a while, I never really understood what the clone tools could do. They were almost entirely skipped over in my education. This is a great resource for those of us who aren’t perfect pros. I bookmarked it to come back to later for further scrutiny.

      • 6

        Please stop apostrophe disease. The plural of guru is gurus, not guru’s.

        • 7

          You’ll find that, in many cases, this error is made by Europeans. In many European languages (for example Dutch), plurals of most words ending in a vowel get an apostrophe before the ‘s’. Like “guru’s” or “auto’s”. As I understand it, in English this is only needed with abbreviations (like Ph.D.’s or even PhD’s) but something like gurus looks positively wrong to the Dutch, even though it isn’t…

      • 8

        Nice Tutorial, very useful for me very good

    • 9

      Word! @ Liana.
      Adam…you can’t act on the assumption that everbody here is a pro or every-day-user of photoshop. At the moment i read this article i thought as you did…but…then it was stupid.

    • 10

      I’ve used PS professionally for 4 years, and as a student for 6 years before that. And I never knew about the Clone Source window. I’ve never had a problem with the clone stamp tool, but it’s nice to know that there are even more powerful ways to use it. This article was thorough and very useful.

    • 11

      definitely not amateur, knowledge is relative. anyone who ceases to attain new knowledge no longer learns. whats the point in that? Please allow people learn without supplying discomforting comments. hater

    • 12

      Tom Something

      March 31, 2010 10:38 am

      Flaunting your own knowledge under the veil of constructive criticism offers little benefit to the community.

    • 13

      haha, Adam. I am sure you are good at photoshop but a lot of people who come here probably don’t realize that there are 10 different ways to accomplish the same goal. Play nice ;)

    • 14

      I disagree Adam. It’s an aspect of PS that I’m not very familiar with and found it very useful – true, I could probably have found the information in one of the books but having it here, in well written easily understood language with clear examples was very helpful. SM is an excellent resource and should continue to cater for all the community with contributions at all levels.

    • 15

      Elizabeth Kaylene

      April 6, 2010 10:50 am

      I’ve been using Photoshop for years, too, and I never knew about some of these tools. It’s not like the article was about cropping images. Get a grip, dude.

  3. 16

    A good overview in cloning techniques. The most important part for me in this article that I’d reiterate, is time; plan what it is your cloning, don’t rush the process and avoid the disaster. Thanks for sharing, Tommy!

  4. 17

    Great introduction to cloning – thanks. Perfect for the minority of SM readers who, like me, are not awesome at everything already!

  5. 18

    Nice one.. Vanishing Point details are good…

  6. 19

    Sure beats a lot of book reading.

  7. 20

    Yes, CS5 will really turn things around.. Let’s hope the crackers can crack this version without any trouble as well :)

  8. 21

    Cool tip! gonna try some of this

  9. 22

    Joshua Johnson

    March 30, 2010 7:23 am

    Hey, didn’t I write this? :)

  10. 23

    Matt Lindley

    March 30, 2010 7:55 am

    I would add a couple of things to this, for those who are not experienced PS users. The author mentions in passing:

    The very first step to take when cloning parts of an image is to duplicate the layer you’ll be working on (or to just work on a new transparent layer).

    I would make this a common practice. You can work on a duplicate of the original layer – but I find that working on a blank layer gives me the greatest flexibility.

    Second, know that the healing brush and spot healing brush often don’t work well when dealing with areas that are next to strong transitional areas. I.e.: if you are healing something in a light area that is right next to a dark area. You’ll get a ghosting of the nearby area into the spot you just healed.

    The solution is to copy the area that you want to heal to a new layer (no need to dup the whole layer), then use the smudge tool (the finger tool) to smudge the area to be healed into the contrasting area that’s preventing you from just using healing brush. Yes, the image will look like crap; the goal is to temporarily eliminate the contrasting area so your healing brush can do it’s job. After you’ve smudged away everything but the area that you actually want to heal (at least from the area immediately surrounding the original problem spot) use the healing/spot healing brush to fix the original problem. Finally, use a layer mask to remove the smudge marks.

    You should also know that many of these tools work well together – you’ll often find that you get better results if you clone, then use healing brush to help eliminate obviously duplicated spots, for example.

  11. 24

    great tips for PS lovers..

  12. 25

    Useful article, thanks.

    But not everyone uses Photoshop. Someday, I hope to see smashing article about unleashing the hidden power of GIMP.

  13. 26

    Mohawk Kellye

    March 30, 2010 1:02 pm

    Many of these tools I have forgotten about or get confused about… Nice to have an article detailing all of them.

  14. 27

    Very useful, several techniques I’d not used before, In particular, the multiple sources and perspective options. Thanks!

  15. 28

    I for one thank you for such a great post! I never knew there were so many cloning options.

  16. 29

    can’t wait to see CS5. They have some new features that look crazy.

  17. 30

    I appreciate that you covered the “Healing brush”. I have only ever really used the Clone tool, so it was a nice treat to learn the differences and to see examples of their uses and benefits. Thank you! I consider this article very useful.

  18. 31

    Very nice and Useful. Thanks for reminding me of a couple of these tools. I start to forget using the patch and healing brush tools.

  19. 32

    Rochelle Dancel

    March 30, 2010 9:21 am

    Thank you soooo much for this! This is probably one of the most essential skills, especially for anyone that spends a lot of time touching up publicity shots or corporate photos, and this tutorial is very well thought out and easy to follow.

  20. 33

    Shaun Forsyth

    March 30, 2010 9:22 am

    Thanks Great Article

  21. 34

    my only real complaint about this article is the use of the Emma Watson picture as a worst practice example. While it received a lot of media attention a few months ago, it came out that the photo was in fact not retouched around the legs and her leg is actually just behind her brother’s leg but just genuinely looks unusual. When you’re writing an article for public consumption it is best to research all aspects you plan to include.

    • 35

      Joshua Johnson

      March 30, 2010 10:52 am

      Good call, I admittedly just picked one of the weirdest looking images from Photoshop disasters (I had no idea this was a widely discussed photo). Check out the site for several other examples of genuine cloning horror.

  22. 36

    Very useful stuff…

  23. 37

    very nice article thank you for sharing :)

  24. 38

    I’ve tried re-creating the results from the golf ball image using the exact tool and method described, but it just doesn’t work. Using the patch tool I’ve failed in attempting to duplicate it by using destination mode with the ball selected. The area gets duplicated but with a very different result that the one displayed.

    Using the healing brush however generates the desired result. It seems to be an error in the article. Have a look at my result using the patch tool as described:

    (Besides that it’s a great tutorial – thank you)

    Best regards

    • 39

      Joshua Johnson

      March 30, 2010 2:26 pm

      No error, just tried it again with the Patch Tool and it works perfectly. Looks like you’ve got “transparent” checked on the tool options. Uncheck that option and try again. Let me know if that works!


  25. 42

    Nice one, very useful:) Thx!

  26. 43

    Toby Cummings

    March 30, 2010 3:34 pm

    Wow, I’ve been using CS4 for several months now and totally forgot that the stamp tool has its own palette.

    Soon I think we’ll be adding content-aware fill to this list. ;-) It’s the most exciting feature I’ve seen come from Adobe.

    Thanks for the great info!

  27. 44

    Great article. it is very helpful for designer who almost spend a lot of time on this thank you for sharing .

  28. 45

    Very nice article Joshua !
    Thank you for sharing with us :)

  29. 46

    Nice Tutorial…

  30. 47

    I hope the next article be for the Move tool….

  31. 48

    I see, it’s just a different angle look photo.

  32. 49

    Well Described…

  33. 50


    March 31, 2010 6:21 am

    I love that each of these techniques are already antiquated:

    But they are very useful and necessary techniques. It’s a good tutorial for those unfamiliar with the existing tools.

  34. 52

    thanks for the write-up! i’ve been using photoshop for more than 5 years and still hadn’t delved this deeply into cloning. very useful information!

  35. 53

    Nice post, been a while since I’ve used these tools, it’s nice to have a refresher article. I should play about with them more often. Thanks

  36. 54

    WOW, it’s so helpful for me… :)

  37. 55

    Thanks for sharing this nice tutorial. Really its helpful for me. because in my working company ie (, we used only cs4. thanks for this tutorial.

  38. 56

    Nice sharing Joshua Johnson. Loved your article….nicely differentiated different ways of cloning….thanks

  39. 57

    Drew Clarke

    April 1, 2010 4:01 am

    Thanks for this. Clone tools are so useful because sometimes it’s just totally impossible to get that ‘perfect’ photo – or as a web designer – my clients send me less than perfect composition. I have been known to improve peoples complexion and remove zits etc, always popular – especially with the ladies!

  40. 58

    I have used photoshop for years and can make anything blend with the clone tool, but this tutorial showed me other ways i was less familiar with and got me to use my fav program again for fun. PS is my favorite program to have fun in, to work in and its reason like this article that make me want to learn more to do what I do better. Thanks.

  41. 59

    Thank you so much! Great post! Very Helpful!

  42. 60

    This is realy good! thanks allot!

  43. 61

    Great stuff. Some good pointers even for long time retouchers like me.

  44. 62

    I just want to point out that the last image isn’t the result of a Photoshopping error; rather it is intentionally done by the Burberry photographers to generate controversy.

  45. 63

    I only use Photoshop for the very basics of resizing images/creating images, and usually find the typical guides/tutorials too complicated and thus offputting. This guide makes everything seem straightforward – as it should be.

    Thanks :)

  46. 64

    that’s so useful

  47. 65

    I tripped out when I realized what had been cloned in the Vanishing Point section. haha. The emma watson picture is an all to common photoshop failure that it’s became a game in my old CG class to find cloning mistakes. Classic.

  48. 66

    Great post!
    thanks from Italy!

  49. 67

    Really useful tools, coudn’t live without them.

  50. 68


  51. 69

    Usefull stuff! Nice summup of all the great features of the cloning tools

  52. 70

    Wonderful article, thank you very much for sharing your knowledge. The only useless words on this page are the negative comments.

  53. 71


    May 1, 2010 9:14 am

    i prefer to use a combination of the spot healing brush tool and the clone stamp tool mainly because i almost always get really good results. what i do is, use the clone stamp tool to cover up an area that i don’t want to be there, then i go back over that same area with the spot healing brush, which blends the colors better.

  54. 72

    I’m using CS5. Somehow clone panel doesn’t allow negative input. Strange thing.

    “Offset Options”
    .. First, I set both the width and height to 90%, so that the cloned bail would appear slightly smaller than the original. Then I changed the width to -90% to flip the clone horizontally (you could change the height to a negative number to flip the image vertically)…”

    • 73

      sorry.. my bad. Revised my previous post please.
      Indeed the box doesn’t allow negative input. But we able to click the ‘reverse’ button next to it to mirror the clone. It is not obvious though. :D

  55. 74

    This is a great article! I will be experimenting with the different tools and effects shown here.

  56. 75

    Andrei Oprinca

    January 7, 2011 7:05 am

    I didn’t know you could actually use the Clone tool and the Vanishing point together. That was a damn good tip.

    I also understood more about the clone palette. I’ll have to try that, I suck at cloning. Awesome tut, thanx a bunch

  57. 76

    Brit Colewater

    January 7, 2011 1:29 pm

    What sort of retarded moron doesn’t know how to do this?

    • 77

      Brit: there are all sorts of (by your standards) retarded morons out there, myself included. I’m just starting photoshop, and I find the real retard is someone with an attitude like yours. If you already know it, why are you wasting your valuable time here when you could be out kicking stray dogs?

  58. 78

    this was brilliant. Figured out the healing and cloning by trial and error over time but never used the match tool before. MT & me – we’re gonna have so much fun now :)
    thanks for the lesson :)

  59. 79

    I’m just learning Photoshop and love the cloning tool! Thanks for the easy-to-follow lessons! I’ll come back for more soon!

  60. 80

    Great tips there – thanks! I’ve been trying my hand at the clone tool to adjust some stock imagery for a wide-aspect area on this website:
    I can see now there’s some repetition here and there but I’ve had to widen some of the images a lot. Still better than just scaling up low-resolution images etc.

  61. 81

    Great article and tips. Ignore the haters.

  62. 82

    Great article. Having used Photoshop extensively since version 3.0, I’ve learned that there really is no limit to its depth nor its mastery. Thanks for sharing some truly valuable knowledge.

  63. 83

    really helpful tutorial…..well explained..!!!

  64. 84

    I’ve recently installed a Photoshop, with no clue whatsoever, on how to use it.
    luckily for me today, I came across this site and the articles that you guys put up on your site, really helps me allot. Thanks Guys.

  65. 85

    I keep getting black marks when I use the clone stamp or healing brush. What am I doing wrong?

  66. 86

    ULITMATE GUIDE? Horrible! the MOST important preference is whether the clone stamp is aligned or non-aligned.. Nothing mentioned about that!

  67. 87

    Deym…. :) It’s a very useful tutorial. I’ve learned about this clone thing when I was still studying in college. But i didn’t practice it so well that’s the reason why i haven’t mastered it yet. haha. But yep, i agree with andrie, I didn’t know that you could use the Clone tool and the Vanishing point together. That’s very new to me. Thanks for the share and for the nice sample too.

  68. 88

    Awesome tutorial! Very illustratively written, thanks for the effort!

  69. 89

    Kashaay Brown

    July 31, 2012 8:24 pm

    How do I remove sunspots from a photo using Adobe Photoshop 7.0.1? This site doesnot show me how to using the operating system that I obtain.

  70. 90

    Hi there, great tutorial, I am trying to figure out how to retain the source clone’s color when applying it to the destination, it seems that the texture and appearance is cloning perfectly, but it is blending from blue to black when it is placed within the black destination area.


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