You know, we use ad-blockers as well. We gotta keep those servers running though. Did you know that we publish useful books and run friendly conferences — crafted for pros like yourself? E.g. our upcoming SmashingConf San Francisco, dedicated to smart front-end techniques and design patterns.
Cameron McEfee is a left-brained creative director and designer. Ever dissatisfied with the tools available to designers and developers, he spends his days working on new tools that answer the question “Why hasn’t someone built this yet?” You can find him spouting nonsense on Twitter, flaunting pixels on Dribbble, and denying the fact that he has a blog.
Almost five years ago, I had the honor of writing a post on Smashing Magazine about my Photoshop panel GuideGuide. Since then it has seen wild success as the most installed third-party Photoshop extension, an achievement I’m quite proud. In that time, I’ve added some powerful features and, most recently, expanded it to Illustrator. This post will give you a taste of how GuideGuide can change the way you use guides in Photoshop and Illustrator.
If you’re one of the many people who already use GuideGuide, please read on. You may discover some unconventional uses that are not immediately apparent. I’ll provide a overview of the major features, and then give some examples of advanced and unusual ways it can be used to make you a more efficient designer.
This article is the fourth in our new series that introduces the latest, useful and freely available tools and techniques, developed and released by active members of the Web design community. The first article covered PrefixFree; the second introduced Foundation, a responsive framework; the third presented Sisyphus.js, a library for Gmail-like client-side drafts. Today we are happy to present Cameron McEfee's Photoshop extension GuideGuide which provides a tool to create pixel accurate columns, rows, midpoints and baselines.
Take a moment and think about creating a multi-column grid in a Photoshop comp. Have your palms started to sweat? Yes, creating grids in Photoshop is a pain indeed. Some designers just estimate and drag guides arbitrarily onto the stage. Others draw vector shapes, duplicate them to represent columns, then stretch them to fit their design. The hardy few who don’t say things like, “I’m a designer, not a mathematician,” generally use a little math and logic to calculate their grid.