This tutorial is for illustrators who also happen to be passionate car enthusiasts. If you follow me along, you will learn how to draw from scratch in Sketch the legendary Porsche 911, all in vectors. Together, we will be pushing Sketch to its limits and you will learn how to create an almost photo realistic car by using basic shapes, layer styles, and various Sketch features. No bitmap images will be used, which means the final vector illustration could be scaled up to any size with no loss of detail.
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Just like during the Renaissance, we’re living in times of incredible cultural and artistic innovation. As the Internet evolves, browsers align, capabilities are added and accessibility of technology becomes easier, designers face new opportunities to create, think, and change their status with no-code tools. In this article, Uri Paz presents some tools that allow non-programmers to create application software through graphical user interfaces and configuration, instead of traditional computer programming.
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Emmett McBain was a Black American graphic designer whose work had a remarkable impact on the representation of Black Americans in advertising. He co-founded what became the biggest Black-owned agency in the USA. McBain designed almost 75 record covers by the time he was 24, and in the penultimate of his Inspired Design Decisions series, Andy Clarke will explain how his work can inspire what we design for the web.
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This tutorial is for illustrators who also happen to be passionate car enthusiasts. If you follow along, you will learn how to draw from scratch in Sketch the legendary Porsche 911 — all in vectors.
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There was a time when marketers used things like urgency, scarcity and FOMO to drive online shoppers to a sale. But scare tactics can actually hurt a brand’s relationships with customers. By their very nature, we run into similar problems with shipping and inventory alerts. That said, there are ways that web designers can keep panic and frustration from seeping into the shopper’s experience. If you want to better control your shoppers’ responses and keep them on the path to conversion, Suzanne Scacca will tell you how, in this article.
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In the tenth issue of Inspired Design Decisions, Andy Clarke will explain how Giovanni Pintori — the Italian graphic designer best known for his work with Olivetti — can inspire design for the web with his distinctive use of color and shape. Andy will teach you how to use color to attract attention and then to lead someone’s eye around a design. He’ll discuss how a minimal color palette can act as a guide, helping people through a design, and how lines and shapes add structure and style.
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We’re at a point now where restaurants can no longer be reluctant or stingy about improving their digital presence. And, as a web designer, this should get you excited. The restaurant industry has begun to undergo a major digital transformation. Those that want to survive will need a website that can handle the new way of operating, which means they can no longer afford to hold onto that cheap website they built for themselves years ago. And this spells big opportunities for web designers interested in working in the space.
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The ancients can teach us a thing or two about design — even web design. The Roman architect Vitruvius had buildings in mind when laying out his golden triad, but its principles are just as applicable to the web as they are to brick and mortar. Today’s article is about architecture, and how some of its core tenets apply to the worldwide web. Architectural terms are not unusual in web development, and for good reason. In many ways, web developers are digital architects. Today, Frederick O’Brien will focus on Vitruvius, a Roman architect, and how his principles can and should be applied to websites.
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Stress isn’t just something that makes people feel uncomfortable. It stimulates the urge to “fight” or “flight”. The very last thing you want is to design a website that stresses visitors out, leading them to dread the experience or abandon it entirely. There are many things that might invoke this response from your visitors, including the design. In the following guide, we’re going to look at some ways to de-stress your design.
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Constructing an equivalent experience may mean changing the way you think about development and design, and potentially reevaluating your existing work. In this article, Eric Bailey will discuss learning how to embrace an equivalent, inclusive mindset. He will also provide practical, robust ways to improve your websites and web apps by providing solutions to common, everyday barriers cited by the people he interviewed.
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