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Check out all of the posts in ‘Inspiration’ below. If you still can't find what you are looking for, try searching using the form at the top of the page.
If you work at an agency or design house, chances are that most of your time is spent working on client projects. After months of bending over backwards to meet your clients’ demands, work may start to get a little stale. At this point, it’s okay to become a little selfish and ask yourself: “When was the last time that we have done something for ourselves?”
Seriously. When was the last time that an idea was expressed that interested everyone within earshot? When was the last time that the thought of a side project made you excited? If you can’t remember when that last time was, or worse, you have never taken part in a company side project… well, you might have a little problem.
Vodka, pickled cucumbers and Pope John Paul II might spring to mind when someone mentions Poland. Obviously there's more to Poland than that. On the world map of design, Poland is marked by creative agencies that produce high-level design and employ some of the best programmers in the world. There's also a crowd of freelancers and visionaries who have received worldwide recognition.
For the people I interviewed, Web design is life. The art directors and freelancers highlighted here work in all sorts of environments, and they answer questions related to our field. You'll have the opportunity to see Polish Web design from a number of perspectives — and to form your own opinion while browsing selected productions.
In Part II I started a list of some personal process-oriented thoughts on illustration—more specifically about some ways to help broaden the creative process and make its execution more effective. In this Part III, I'll wrap up the list in the same vein as Part II's, with a few more of my thoughts on the subject.
Once again, while I hope these tips strike the right chord with readers from all creative fields and levels, I share them partially because many of them are still so freshly new in my head, and I can recall vividly their having planted themselves there during my time as a student. That said, there's plenty more learning to be done on my end as well, and I invite you to share your responses and your own additions to the list in the comments, no matter what corner of the creative world you are from.
Members of military and intelligence forces around the world risk their lives daily to defend their countries and assist in peacekeeping and aid missions both at home and abroad. The men and women who make up the world's defense forces make sacrifices that most civilians wouldn't consider to serve their countries.
So, with everything they do for us, shouldn't they be represented online by website designs that reflect the honor and responsibility they undertake every day? Unfortunately, that's not the case in many countries out there. Many military websites out there are some of the worst designs in any industry. Whether they're outdated, broken or designed by amateurs, some of the websites showcased below are bad enough to make you cringe.
In Part I we skimmed the surface on a few points regarding when an image becomes an illustration. But, of course, this knowledge isn't very useful if we don’t know how to apply it to our work when the pencil hits the paper! Or, stylus hits the tablet, whatever it is you do.
In this second part of the article, I'd like to share some of these practices that have been invaluable to me as an illustration student, and ones that I will carry with me for a long time to come.
Propaganda is most well known in the form of war posters. But at its core, it is a mode of communication aimed at influencing the attitude of a community toward some cause or position, and that doesn't have to be a bad thing. Although propaganda is often used to manipulate human emotions by displaying facts selectively, it can also be very effective at conveying messages and hence can be used in web design, too.
Notice that propaganda uses loaded messages to change the attitude toward the subject in the target audience. When applied to web design, you may experiment with techniques used in propaganda posters and use them creatively to achieve a unique and memorable design.
In this article, we look at various types of propaganda and the people behind it, people who are rarely seen next to their work. You will also see how the drive for propaganda shaped many of the modern art movements we see today. Notice that this post isn't supposed to be an ultimate showcase of propaganda artists. Something or somebody is missing? Please let us know in the comments to this post!
“Art” is something philosophers have spent centuries trying to define, sadly with no satisfactory result (a debate that is far beyond the scope of this article). But illustration, while it covers a broad range of image-making, does have very distinct meanings, and it is very different from just artwork.
In this two-part article, I’d like to share some tenets behind what I think good illustration is, and what I learned about the process and technique behind how to execute it. Hopefully some fellow aspiring illustrators out there will find some of these helpful — or maybe even identify with some as part of their own process, too!
It may be small, but Lithuania is the geographic center of Europe, and the meeting of Western and Eastern culture is evident. Lithuania is one of three Baltic countries, so-called for its proximity to the Baltic Sea. In 2009, it celebrated the thousand-year anniversary of its name.
Lithuania is known worldwide for its love of basketball, but today we'll acquaint you with its Web design industry. In Web design, Lithuania is still a young country; the Internet boom began only about five years ago, and the country doesn't have a good Web design school.
Most Web designers have studied in Western countries or are self-taught. Most work is done for hotels, rural tourism and real estate websites. Lithuania quickly adopts new technologies, and demand for Web designers and developers is increasing. While preparing this showcase, I noticed that many Lithuanian Web designers like Flash technology. Many websites have Flash elements, which can help present a company's goals, services and prior work. Flash can help websites look professional, modern and dynamic.
Why the Lucky Stiff (or _Why for short) was one of the brightest and most inspiring programmers in activity. He became famous through a series of blogs and through the incredible amount of open-source projects that he maintained over the course of more than seven years.
_Why's popularity grew along with the Ruby programming language's popularity. When the Rails hype took off in 2005, a great number of young developers started looking to learn about Ruby, and that's when most of them found Why's (Poignant) Guide to Ruby, a Creative Commons book in both HTML and PDF that embodied all of its author's characteristics: an uneasy artistic mind with a different take on what programming is all about.
Even those who didn't happen to read the Poignant Guide could not program in Ruby without a touch of _Why's brilliance. He had by then written several libraries that were fundamental parts of everyday programming tasks, such as Hpricot, an HTML parser with an API that somehow resembles jQuery's DOM manipulation API.