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Did you know that we publish useful books and run
friendly conferences — crafted for pros like
yourself? E.g. our upcoming SmashingConf Barcelona,
dedicated to smart front-end techniques and design patterns.
This category is supposed to help you break your creativity block by exploring galleries of art, design and photography. It also features showcases of web designs (blogs, portfolios and online-shops) and design elements (navigation menus, search boxes). Different from Showcases, here you will more general and abstract ideas. The section covers galleries of beautiful photography, articles about influential artists and their styles as well as showcases of art and digital art.
Today we'll be looking at eye candy that will undoubtedly help you start the new week with your creativity freshly nurtured. Grab your cup of coffee or tea, and let these designs shine on you with their smart details, fantastic textures, and well-chosen color palettes.
I’ve sifted through the web to dig up little nuggets of inspiration to indulge in — just for you. This time I’ve collected a potpourri of styles ranging from delicate and subtle to bold and playful. Nothing but design goodness. So please lean back and soak it all in.
Editor's Note: Some people simply have the magic touch for digging up design goodness. Today, we are proud to present the brilliant gems that Veerle Pieters has dug out, letting us explore a fresh breeze of photography, art, type, print as well as web design projects.
As designers, we have our good and bad days. Some days ideas come naturally. Other days we struggle or have moments where we are really stuck. We are in urgent need of inspiration. Let me help you get through these moments of pain and suffering. Let me nurture your creativity. Sit back, relax, and feed your appetite. Here’s your monthly dose.
Creative folks like yourself know how important our daily dose of hot and steaming coffee is. Many of us even choose to work from a coffee house because the cozy atmosphere, the smell of freshly ground coffee beans and the carefully created art on the glossy foam fuels our creativity.
Designed by Oliver Pitsch, Barista is an icon set dedicated to all baristas and coffee lovers. It consists of 50 carefully crafted vector icons. The icons are drawn on a special 256px grid adapted from the iOS icon grid. All icons are available as 128px PNG (+ @2x 256px versions), as well as Illustrator EPS and SVG files.
In the beginning of my professional career, I often struggled with status meetings. They regularly turned into back-and-forth conversation with a client who was making weird design suggestions. I often left these meetings feeling very confused, uncertain and demotivated after weeks of passionate effort.
It took me a while to figure out what was happening and how I could improve my workflow. With this article, I want to share my learnings after years of streamlining creative dialogue.
It’s been three years since I launched my productized service. And, boy, did I do a lot of things wrong! But I’m glad I did. If it weren’t for the many mistakes I’ve learned from and lessons I’ve applied, my business never would have grown to replace my income as a freelancer.
As it turns out, I wasn’t alone in my mission to move away from client work and into a products business. Every day when I read the replies I get from freelancers who read my newsletter, most tell me they want to do the same but that making the transition seems almost impossible.
Think of all the people you know who inspire you, whether family and friends or public figures. Who are the most interesting, engaging and stimulating to be around? The ones with the great ideas and energy for life? These people almost certainly always ask questions and have an insatiable thirst to learn new things.
According to Donald N. MacKinnon, who is considered to be a world-leading researcher on creativity: "Creative people have considerable cognitive flexibility, communicate easily, are intellectually curious, and tend to let their impulses flow freely."
Have you ever seen someone make creative notes at a conference and wished that your own notebook was more presentable? It’s much easier to do than you think. You don’t have to be an aspiring lettering artist, and you don’t need to develop top-notch drawing skills.
Making your notes more interesting doesn’t have to be a huge undertaking. It’s not like learning to play the piano or taking up diving. If you think sketchnoting looks fun, I have some tips to get you started.
I can’t imagine any other industry in which so much change happens so quickly. If you stop paying attention for a week, it can feel like you’ve not been listening for a year. There’s so much to learn. Falling behind is easy, too. We might be in the middle of a major project, so we put off learning about this newfangled thing called Sass or Node.js or even quickly experimenting with the new Bootstrap or Foundation that everyone is raving about.
Before we know it, we have these elephants of missing knowledge wandering around our minds, reminding us of what we should know and do but haven’t found the time for. Even just looking at beautiful work and seeing what new technique we could use ourselves can seem like too big a task when we’re swamped with projects. So, we tell ourselves we’ll come back to it later. But later never shows up. The guilt definitely does, but not that elusive deadline of later.
Apple launched the Macintosh personal computer in 1984. It was more user-friendly than other PCs at that time — and, with its desktop publishing software, graphical user interface and mouse (all novel at the time), the Mac was uniquely geared to designers. Compared to what we can create on the computer today, the original Macintosh, with only 128 KB of memory, had limited capabilities. At the time, though, it opened up so many new possibilities.
Of course, using a computer didn’t automatically make designers better at their craft. Instead, the new technology gave them more control and sped up their exploration process. As with anything unfamiliar, the Mac sparked debate among designers during this time: While some saw the computer as simply another tool for creating work, like a drawing pen, others saw its potential as a medium in itself.
Take any new interface design or display technology, and chances are that someone somewhere has already compared it to Minority Report. The 2002 dystopian film, with its see-through screens and gesture-driven interfaces, is remembered more for its futuristic tech than for the insidiousness of the technology — pre-crime prediction — that was its actual focus. It continues to be the standard by which we judge new interfaces.
But inspiration doesn’t only come in the form of flashy, futuristic interfaces. At Typeform, we were inspired to simplify online forms by a movie that’s decidedly a blast from the past: the 1983 film WarGames, which centers around a student who remotely logs into a research computer and, through its terminal interface, nearly sparks a nuclear war. Its computers are hardly state of the art, yet the computers’ question-driven interface inspired us to reinvent forms. Instead of a list of questions, how much better would it be if forms presented one easy-to-answer question at a time?
Our industry is a great one. It’s filled with a lot of awesome people building a lot of inspiring things and constantly seeking out ways to express just how much they love doing so. We’ve had blogs and podcasts, and right now hosting conferences is the big thing. Ever more people are organizing conferences, arranging meetups and creating memorable experiences. It’s fantastic to see.
Nothing compares to a good conference: the atmosphere of being immersed in a crowd of people who share the same passion as you, the lessons you learn and advice you take in, and the friends you get to meet and the new ones you make. You leave a good conference re-energized — full of zeal for your job and bursting with fresh ideas.
Many companies and design agencies tend to look at the design and creativity stage from a narrow perspective. Usually, the design team is locked inside the ideas room with no contact with the rest of the world until it delivers the idea that gets approved by the client or project manager.
Once a project goes into crisis mode and stress increases, creativity is given an even more limited role in the project. This can be a result of the high cost of developing creative concepts or a lack of confidence that creative people are able to handle pressure and provide help at this critical stage of the project.