Varnish Cache is an open source HTTP accelerator that is used for speeding up the content delivery of the world’s top content-heavy dynamic websites. However, the performance or speed a newcomer to Varnish Cache can expect from its deployment can be quite nebulous.
This is true for users at both extremes of the spectrum: from those who play with its source code to create more complex features to those who set up Varnish Cache using the default settings.
Development and design working together makes better products for our users. Design and usability decisions have a big impact on the developers who implement them, and, ultimately, on the experience of users. For these decisions to be successful and provide users with the best experience, communication between designers and developers is vital.
When developers are expected to work in a corner until needed, that isolation from the design process prevents them from crafting the end product just as much as the designers themselves. The person who ultimately pays is the user.
Some well-established web design basics: minimize the number of choices that someone has to make; create self-explanatory navigation tools; help people get to what they're looking for as quickly as possible. Sounds simple enough? Now consider this…
An ever growing number of web users around the world are living with dementia. They have very varied levels of computer literacy and may be experiencing some of the following issues: memory loss, confusion, issues with vision and perception, difficulties sequencing and processing information, reduced problem-solving abilities, or problems with language.
Living style guides are an important tool for web development today, especially in large, complex web applications. They help document styles and patterns, keep designers and developers in sync, and greatly help to organize and distill complex interfaces. Indeed, living style guides remain one of the best ways to communicate design standards to an organization.
Recently, our company went through the process of creating a living style guide. This is the story of how we developed our living style guide, the mistakes we made along the way, and why the current landscape of style guide generators did not suit our needs.
This week reminded me again of how refreshing attending a conference can be. As mentioned, I was at the beyond tellerrand conference and, apart from meeting new people, I mostly enjoyed the inspiration I got from listening to the great talks.
I realized how I might be able to solve a few things that had led to me being unhappy with my work in the past. My trying-to-change-everything-at-once strategy always failed, and seeing that some people just change small things and succeed, I recognized that this is what I want to try over the next months. And I’m happy that I don’t need to do this alone but have some friends who spent nearly the entire Monday night talking with me about how to do more meaningful work.
We've featured a lot of different icon sets in the past, but we still haven't had one dedicated to rockets, satellites and solar systems (well, don't forget supernatural aliens as well). There's so much to explore in the world of astronomy, and it's about time we did. Today's icon set was created and designed by the team at Iconshock, and consists of 40 icons in AI, PNG as well as SVG formats. So, dear space troopers out there, what are you waiting for?
Please note that this icon set is licensed under a Creative Commons Attribution 3.0 Unported. You may modify the size, color or shape of the icons. No attribution is required, however, reselling of bundles or individual pictograms is not cool. Please provide credits to the creators and link to the article in which this freebie was released if you would like to spread the word in blog posts or anywhere else.
Icon and vector marketplaces like Iconfinder (where I work) are making well-designed vector icons an inexpensive and readily available resource for web and print designers. Thousands of high-quality premium icon sets and hundreds of great free sets are available.
Every icon set submitted to Iconfinder is reviewed and evaluated for potential appeal to our website users and for potential commercial value as premium icons. When reviewing icon sets submitted to the website, we have a responsibility to our designers and to our customers to make sure all premium icons on the website are of the highest possible quality.
Content is the core commodity of the digital economy. It is the gold we fashion into luxury experience, the diamond we encase in loyalty programs and upsells. Yet, as designers, we often plug it in after the fact. We prototype our interaction and visual design to exhaustion, but accept that the “real words” can just be dropped in later. There is a better way.
More and more, the digital goods we create operate within a dynamic system of content, functionality, code and intent. Our products and services drift and spill into partner websites, social media feeds and myriad electronic aggregators, all seeking to shape visitor behavior and understanding. Systems build on systems, and, in short order, we’ve cobbled together a colossus the breadth of which sends minds a-boggling.
Have you ever wondered how elements come together to create successful designs? It’s no accident that compelling design just seems to work. What most of these designs have in common is the use of gestalt grouping principles to organize information that helps us understand the relationships and differences between elements. As designers, we can use these principles to create our own engaging and successful work.
In the first part of this series, we focused on the principles of similarity and proximity to understand how the gestalt principles work in creating relationships between elements. Next, we’ll focus on the principles of closure and figure-ground, which play with positive and negative space to build relationships and create wholes with the sum of their parts. As in the first article, we’ll look at how the principles work and then move on to real-world examples to illustrate them in use.