Posts Tagged ‘Responsive Web Design’.
We are pleased to present below all posts tagged with ‘Responsive Web Design’.
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We are pleased to present below all posts tagged with ‘Responsive Web Design’.
Responsive websites, even the most modern ones, often struggle with selecting image resolutions that best match the various user devices. They compromise on either the image dimensions or the number of images. We can solve these issues and start calculating image breakpoints more mathematically, rather than haphazardly.
The lives of web developers aren’t getting any simpler as the number of different devices and potential screen resolutions increase. The high-resolution arms race seems to be never-ending as vendors try to top one another with innovations in laptop and mobile device screens. New devices such as TVs and smartwatches are entering the market, making the race even more complex.Read more...
While the growing adoption of responsive images cannot be ignored, it can be very difficult to employ the functionality under the constraints of a large CMS like WordPress. Although it is entirely possible to write the feature into your theme on your own, doing so is a challenging and time-consuming endeavour.
Thankfully, with the launch of WordPress 4.4, theme developers and maintainers will find it much easier to introduce responsive image functionality into their themes. In this recent launch, the RICG Responsive Images plugin has been merged into WordPress core, which means that responsive image support now comes as a default part of WordPress. Let's take a look at how the feature works, and how you can use it to get the best support for your WordPress site.Read more...
The responsive design revolution is truly upon us (if it hasn’t already happened!), and even though e-commerce websites haven’t picked up responsive design quite as aggressively as in other industries, it’s becoming increasingly popular.
So far, most of the responsive design thinking has revolved around covering the range of experiences from mobile to desktop. Yet little attention has been paid to the opportunities for expanding that range beyond the standard desktop screen, to create an experience optimized for modern large-scale displays.Read more...
Last year I read Jan Constantin’s post “Typographic Design Patterns and Current Practices” and straightaway wanted to do something similar with email. At the time I was studying responsive typography on the web, trying to break down the websites I liked in order to understand what made the typography work so well, then attempting to apply those findings to email design.
After seeing Constantin’s work, I also wanted to explore how other email designers were handling responsive typography. So, I amassed 50 emails across various industries that I think do a good job with typography to see if any patterns emerged. You can skip straight to the Google Doc showing the raw data and results.Read more...
Relaunching a large-scale website is always quite an undertaking, especially if the task involves a huge political entity with content accumulated over a dozen years. In this article, we look behind the scenes of the responsive redesign of Kremlin.ru, Russia’s most prominent government website.
We had an opportunity to talk with Artyom Geller, one of the creative minds responsible for the design and UX of the project. We talked about the design process, the challenges and constraints, creative front-end solutions, as well as unusual budgets and stakeholders. —Ed.Read more...
Has web design lost its soul? And is responsive design to blame? These questions, posed by my friend and colleague Noah Stokes, are provocative to say the least. After all, the responsive web has made browsing on our ever increasing collection of Internet-connected screens not only possible, but enjoyable.
Our priority as designers must be to solve problems; perhaps more than anything else, this is what we do. Responsive web design is a fantastic solution to the problem of creating virtual experiences that adapt to different devices. There are other problems out there that we're called on to solve, though, not least of which is to make content of all kinds appear interesting and engaging. A page of plain text becomes a beautiful blog post, a mess of unconnected JPGs becomes a professional portfolio.Read more...
Managing consistent, typographic rhythm isn’t easy, but when the type is responsive, things get even more difficult. Fortunately, Sass maps make responsive typography much more manageable.
Writing the code is one thing, but keeping track of font-size values for each breakpoint is another — and the above is for paragraphs alone. Throw in
h6s, each with variable font sizes for each breakpoint, and it gets cumbersome, especially when the type doesn’t scale linearly.
Having the ability to set legible body copy is an absolute must, and we’ve come a long way with web typography since the dawn of web design. However, I feel like we have allowed the lack of variety prior to the rise of web fonts to dampen our creativity now that thousands of web fonts are at our disposal. Have usability conventions and the web’s universality steered us away from proper art direction? Have we forgotten about art direction altogether? I believe so.
As designers, we can achieve much more with type, and with just a little more thought and creativity, we can finally start to take full advantage of the type systems available. Let’s look at ways we can push typographic design on the web further, beyond the status quo of today.Read more...
After almost 20 years of evolution, today's web typography, with its high-density displays and support for OpenType features, is just a step away from the typographic quality of the offline world. But there's still one field of graphic design where we still constantly fall back to bitmap replacements instead of using native text: display typography, the art of staging letters in illustrative, gorgeous, dramatic, playful, experimental or unexpected ways.
Sure, we're able choose from thousands of web fonts and use CSS effects for type, some with wide browser support (like drop-shadows and 3D transforms) and others that are more experimental (like
text-stroke), but that's basically it. If we want really outstanding display typography on our websites, we'll usually embed it as an image.
clip-path property is your ticket to shape-shifting the monotonous, boxy layouts traditionally associated with flat, responsive design. You will begin to think outside the box, literally, and hexagons, stars and octagons will begin to take form on your web pages. Once you get your hands dirty with
clip-path, there’s no end to the shapes you can generate, simply by tweaking a few values.
While the focus of this article is on
clip-path using polygons with CSS, all of the demos provide a reference to an inline SVG, in order to gain additional support on Firefox. Generating a responsive SVG clipped shape is trivial once you have created a responsive shape with CSS’
clip-path. We’ll look at this in detail later.
It's one thing to create a web application and quite another to create an accessible web application. That's why Heydon Pickering, both author and editor at Smashing Magazine, wrote an eBook Apps For All: Coding Accessible Web Applications, outlining the roadmap for the accessible applications we should all be making.
Picture the scene: it’s a day like any other and you’re at your desk, enclosed in a semicircular bank of monitors that make up your extended desktop, intently cranking out enterprise-level CSS for MegaDigiSpaceHub Ltd. You are one of many talented front-end developers who share this floor in your plush London office.
You don’t know it, but a fire has broken out on the floor below you due to a “mobile strategist” spontaneously combusting. Since no expense was spared on furnishing the office with adorable postmodern ornaments, no budget remained for installing a fire alarm system. It is up to the floor manager in question to travel throughout the office, warning individual departments in person.Read more...
If you’re a member of the web or UI design community, it’s been hard to avoid talking about Sketch over the last year. The launch of this design app shook up an industry dominated by Adobe for more than two decades, and it has caused an ongoing debate about whether Sketch is better than Photoshop and Illustrator (and Fireworks).
A longtime Photoshop user myself, I made the switch to Sketch in early 2014 and haven’t looked back. I love certain features of the program, such as the simple interface, file autosave and infinite canvas. However, plenty of other programs out there have similar features, and until the most recent update (Sketch 3.2), users were battling a lot of bugs in the app.Read more...