Even though Photoshop is still a long way off from being able to create the high-end and cinematic animations of such programs as After Effects, it still has enough power to create complex animation. In this article, Stephen Petrany will share advanced techniques to help you create complex animations. He’ll look at the Timeline panel and the different properties that can be animated, and explore the roles that adjustment layers, filters and smart objects can have in animation. Because the topics and techniques in this article are advanced, a moderate level of Photoshop knowledge is expected.
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There are various ways to approach responsive typography and consistent vertical rhythm, and they are not limited to my suggestion. However, Jonathan Suh finds that this works for him more times than not. Managing consistent, typographic rhythm isn’t easy, but when the type is responsive, things get even more difficult. Fortunately, Sass maps make responsive typography much more manageable. This is where Sass maps and loops are powerful: They’ve helped him manage z-index values, colors and, as you’ll see in this article, font sizes.
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Today, we’re happy to release a free set of 40 sports icons in four styles and six formats. Each icon in this set comes in four styles: flat colored, glyph, Google material palette, and line strokes. All icons are included in six formats: AI, PSD, SVG, PNG, CSH and Sketch. Additionally, the line icons morph into four responsive sizes, comprising a unique icon at every breakpoint. That way, details adjust according to size while preserving the icons’ style and identity. The set is still in its infancy with plenty more icons currently in production. It’s licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
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The essential property of a pattern is repetition. Because they are continuous, they read like a story. The periodic migration of herds, the transit of constellations across the sky and the distinct features of different terrains are all examples of patterns that create expectations upon which we depend. Designers use patterns based on nature because they are reliable. This three-part series explores fundamental creative strategies for designing effective logos. The first part showed how to use symbols, metaphors and the power of intuition. In this part, Maggie Macnab shows you how to use nature’s patterns in logo design.
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Publishing is cheap. This seduces you, encouraging you to put more and more content online. But you will soon discover hidden costs. Costs that are crippling larger organizations. Dealing with ROT can feel intimidating on a large site. In fact, it can feel impossible. But it isn’t. Often it is just a matter of putting some processes in place to deal with it. If you create a prototype that gives people a sense of how much better the site could be, they are often more amenable than you think. Now is not the time to be timid. Now is the time to confront the ROT.
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Animation on the web has the potential to revolutionize our small bright box. We can go even further than traditional animation because we can accept user feedback and input. With these tools we can throw away the soul-destroying, bleak, dark engagements that govern things like airline ticket purchases. We can bake animation into the core of our user experience process to create dazzling, exciting, and engaging work that pushes boundaries and collectively elevates the medium of the web. We can help people by unfolding scenes like a choose-your-own-adventure that can feel fluid, interesting, and intuitive!
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Designing a good logo is the utmost in creative problem-solving. The process makes you really think succinctly about how relationships work. The practice of logo design develops your skills of intuition to recognize obscure but effective solutions and teaches you to discover connections that aren’t apparent on the surface. Adding a universal quality to a logo provides the broadest communicative reach, what almost all identities are intended to accomplish. This three-part series explores fundamental creative strategies for designing effective logos. The first part shows how to use symbols, metaphors and the power of intuition.
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Unless your project is structured beautifully, certain animations are a pain to tweak. Just let the client know what your intentions are for the animations, and let the tweaking and finetuning happen in the code of the final product. Until then, you are simply painting a functional and visual picture for the client and developers, giving them a clear view of your vision. Web design transitions and animations are great to prototype in After Effects. In this article, Matt Reamer will be scratching the surface of how to fit After Effects into your UX Workflow, and he’ll share details, advice, experience and links that you could use as influence and thought starters in your next project.
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In Pieces is an interactive exhibition of 30 of the world’s most endangered species. The experience is an informational reminder of the beauty we are in danger of losing every day, but it’s also a showcase of evolutionary distinction. Users are told the stories and struggles of these unique lifeforms, as well as invited to dive into numerical data, download wallpapers and even obtain a poster featuring the entire collection. In this article, Bryan James explores the inspiration for the project and aspects of how different parts were built, and he’ll dive into how you can use this greatly underrated line of CSS for your own projects.
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As designers we usually turn to different sources of inspiration. As a matter of fact, we’ve discovered the best one—desktop wallpapers that are a little more distinctive than the usual crowd. This post features free desktop wallpapers created by artists across the globe for June 2015. Both versions with a calendar and without a calendar can be downloaded for free. It’s time to freshen up your wallpaper! We are very thankful to all designers who have contributed with this creativity mission and are still diligently contributing each month.
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